A work in constant progress (and occasional regress).
Release Date:
September 18, 2023
Original Title:
Wspaniałe kilka minut
Genres:
Drama
Production Companies:
PISF
Stowarzyszenie Filmowców Polskich
Studio Munka
TVN Group
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 30
Immigrant Ó finds himself in a world devoid of feelings and emotions, without inhibitions. There is no shame, joy, trust or sorrow. Feelings and emotions may be purchased as drugs. Ó meets Eliza, and together they indulge in a novel mixture – Love
Assistant Costume Designer:
Katarzyna Los
Assistant Production Manager:
Martyna Godzisz
Maja Konopka
Assistant Set Designer:
Anna Mazgaj
Camera Operator:
Hasenien Dousery
Maciej Dydyński
Casting:
Monika Gąsior
Katarzyna Gryciuk-Krzywda
Costume Design:
Wiola Uliasz
Director:
Hubert Patynowski
Director of Photography:
Wawrzyniec Skoczylas
Editor:
Aleksandra Idzikowska
Editorial Consultant:
Katarzyna Malinowska
Executive Producer:
Wiola Łabędź
Lyricist:
Hubert Patynowski
Makeup & Hair:
Monika Czyż
Makeup & Hair Assistant:
Kalina Stachera
Izabela Świrkowska
Agnieszka Woźniak
Master Lighting Artist:
Robert Stawicki
Music Consultant:
Paweł Juzwuk
Original Music Composer:
Wojciech Frycz
Producer:
Ewa Jastrzębska
Jerzy Kapuściński
Production Coordinator:
Karolina Panasiuk
Production Manager:
Dominika Ługowska
Props:
Karol Bronisz
Public Relations:
Aleksandra Różdżyńska
Rafał Pawłowski
Script:
Marek Głuszczak
Joanna Kuźmienko
Script Consultant:
Katarzyna Malinowska
Set Designer:
Natalia Paczkowska
Songs:
Wojciech Frycz
Mikołaj Kubacki
Sound Designer:
Jan Tuchowski
Jakub Dziubak
Special Effects:
Natalia Schabowska
Michał Zabielski
Still Photographer:
Patryk Patynowski
Daniel Raczyński
Storyboard:
Wawrzyniec Skoczylas
Translator:
Dariusz Kołaczkowski
VFX Supervisor:
Jakub Gutkowski
Writer:
Hubert Patynowski
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.