A work in constant progress (and occasional regress).
Release Date:
February 12, 2012
Original Title:
Die Wand
Alternate Titles:
Le mur invisible
the wall
Genres:
Drama | Science Fiction
Production Companies:
ARTE
BR
Coop99 Filmproduktion
ORF
Starhaus Filmproduktion
Production Countries:
Austria | Germany
Ratings / Certifications:
DE: 12 GB: 12 IE: 12 US: NR
Runtime: 104
A woman inexplicably finds herself cut off from all human contact when an invisible, unyielding wall suddenly surrounds the countryside. Accompanied by her loyal dog Lynx, she becomes immersed in a world untouched by civilization and ruled by the laws of nature.
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Costume Design:
Ingrid Leibezeder
Dialogue Editor:
Nils Kirchhoff
Magda Habernickel
Digital Intermediate:
Simon Duschl
Director:
Julian Pölsler
Director of Photography:
Hans Selikovsky
Bernhard Keller
Markus Fraunholz
Helmut Pirnat
Martin Gschlacht
Richard Wagner
Christian Berger
Editor:
Thomas Kohler
Bettina Mazakarini
Finance:
Peter Dress
First Assistant Camera:
Andreas Pölzl
Simon Selikovsky
Wolfram Wuinovic
Gerald Helf
Nino Volpe
Foley:
Max Bauer
Gaffer:
Jakob Ballinger
Makeup Artist:
Katharina Erfmann
Music Supervisor:
Uwe Kirbach
Novel:
Marlen Haushofer
Producer:
Martin Gschlacht
Rainer Kölmel
Antonin Svoboda
Bruno Wagner
Wasiliki Bleser
Production Design:
Enid Löser
Hajo Schwarz
Production Sound Mixer:
Uve Haussig
Script Coordinator:
Katharina Riedler
Natalie Schwager
Sound Designer:
Marcel Spisak
Sound Effects Editor:
Achim Hofmann
Sound Re-Recording Mixer:
Matthieu Belohradsky
Alexander Würtz
Christian Bischoff
Sound Recordist:
Gregor Kienel
Special Effects Supervisor:
Tissi Brandhofer
Steadicam Operator:
Thomas Maier
VFX Supervisor:
Abraham Schneider
Visual Effects Producer:
Nina Knott
Visual Effects Supervisor:
Marco Pelzel
Writer:
Julian Pölsler
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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