A work in constant progress (and occasional regress).
Release Date:
July 16, 2023
Original Title:
First Comes Love, Then Comes Murder
Genres:
Drama | Thriller
Production Companies:
Swirl Films
TV One
Production Countries:
United States of America
Ratings / Certifications:
US: PG-13
Runtime: 90
Despite initially starting out in wedded bliss, devoted wife Candice and her manipulative husband, Ken, end up at odds, so much so that he hires a hitman to kill her and their unborn child. Candice finds herself embroiled in the fight of her life.
"A" Camera Operator:
Joseph Frederick
"B" Camera Operator:
Mike Dank
Rakeem Bland
Additional Editing:
Michael Troxell
Art Department Production Assistant:
LaTrae Weiters
Art Direction:
Martrail Faulk
Assistant Costume Designer:
Tiara Vargas
Assistant Editor:
Ivan Ortega
Assistant Location Manager:
Curtis Townsend
Associate Producer:
David Eubanks
Best Boy Electric:
Andrew Hoekstra
Best Boy Grip:
Greg Weeks
Boom Operator:
Trevor Tillman
Jermaine Thomas
Eduardo Castro
Evan Profant
Casting:
George Pierre
Casting Associate:
Theresa Pierre
Colorist:
Marc Bach
Costume Designer:
Montel Johnson
Theresa Morales
Director:
Bobby Yan
Director of Photography:
Roger Alexander
Driver:
Gerald Watkins
Noah Kuflom
JC Holland
Artavious Person
Editor:
Jared Bentley
Electrician:
Matthew Gottardi
Executive Producer:
Abbey Sibucao-MacDonald
Extras Casting:
January Curry
First Assistant "A" Camera:
Bruna Valor
Alexander Choy
First Assistant "B" Camera:
Mark McClintock
Angelica Collins
First Assistant Director:
Kyle Benjamin
Gaffer:
Jeremy Johnson
Grip:
Chris Adkins
Brandon Lucas
Hair Department Head:
Joshua Brown
Key Grip:
De'Aire 'DC' Christburg
Key Hair Stylist:
Ebony Monique Moore
Sunday Tuggle
Key Makeup Artist:
Maya Stroud
Mjaan Jacks
Key Set Production Assistant:
Jason Bobbitt
Legal Services:
Tia Anderson
Line Producer:
Aaron Koester
Location Assistant:
Bartholomew Booth Jr.
Eugene 'EJ' Reid
Makeup Department Head:
Jourdan Loving
Original Music Composer:
Dominique Perera
Payroll Accountant:
Sara A. Martin
Post Coordinator:
Jackie Cuellar
Post Production Supervisor:
Dante Wyatt
Producer:
James Watson
Keith Neal
James Seppelfrick
Gold Morgan
Eric Tomosunas
Production Coordinator:
Amber Lauren Russell
Production Design:
Ania Nycole
Property Master:
Kayla Jordan
Script Supervisor:
Danae C. McBurney
Second Assistant "A" Camera:
Cody 'Cam' Mitchell
Second Assistant "B" Camera:
Alexander Choy
Roberto Perez
Second Assistant Director:
Ceecee Bennett
Second Second Assistant Director:
Adam Strobel
Security:
Joseph Antoine Tate
Set Costumer:
Markise Johnson
Set Dresser:
Durrann Brown
Alysse McCruter
Set Medic:
Eric Stobart
Set Production Assistant:
Micah Rodrigues
Alan Brooks
Sound Mixer:
Arjun Banga
Richard Surman
Stand In:
Aaron Greene
Dani Coleman
Saveyon Edwards
Studio Teacher:
Shequella White
La'Keshia Collins
Stunt Coordinator:
Rabon Hutcherson
Teleplay:
Michelle McKissic
Transportation Captain:
Leander Coleman
Transportation Coordinator:
Gary Woods
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.