Home

First Comes Love, Then Comes Murder (2023) [PG-13]

Release Date:
July 16, 2023

Original Title:
First Comes Love, Then Comes Murder

Genres:
Drama | Thriller

Production Companies:
Swirl Films
TV One

Production Countries:
United States of America

Ratings / Certifications:
US: PG-13 

Runtime: 90

He loves her. He loves her not.

Overview from TheMovieDB

Despite initially starting out in wedded bliss, devoted wife Candice and her manipulative husband, Ken, end up at odds, so much so that he hires a hitman to kill her and their unborn child. Candice finds herself embroiled in the fight of her life.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
Joseph Frederick

"B" Camera Operator:
Rakeem Bland
Mike Dank

Additional Editing:
Michael Troxell

Art Department Production Assistant:
LaTrae Weiters

Art Direction:
Martrail Faulk

Assistant Costume Designer:
Tiara Vargas

Assistant Editor:
Ivan Ortega

Assistant Location Manager:
Curtis Townsend

Associate Producer:
David Eubanks

Best Boy Electric:
Andrew Hoekstra

Best Boy Grip:
Greg Weeks

Boom Operator:
Eduardo Castro
Jermaine Thomas
Trevor Tillman
Evan Profant

Casting:
George Pierre

Casting Associate:
Theresa Pierre

Colorist:
Marc Bach

Costume Designer:
Montel Johnson
Theresa Morales

Director:
Bobby Yan

Director of Photography:
Roger Alexander

Driver:
JC Holland
Artavious Person
Noah Kuflom
Gerald Watkins

Editor:
Jared Bentley

Electrician:
Matthew Gottardi

Executive Producer:
Abbey Sibucao-MacDonald

Extras Casting:
January Curry

First Assistant "A" Camera:
Bruna Valor
Alexander Choy

First Assistant "B" Camera:
Angelica Collins
Mark McClintock

First Assistant Director:
Kyle Benjamin

Gaffer:
Jeremy Johnson

Grip:
Chris Adkins
Brandon Lucas

Hair Department Head:
Joshua Brown

Key Grip:
De'Aire 'DC' Christburg

Key Hair Stylist:
Ebony Monique Moore
Sunday Tuggle

Key Makeup Artist:
Maya Stroud
Mjaan Jacks

Key Set Production Assistant:
Jason Bobbitt

Legal Services:
Tia Anderson

Line Producer:
Aaron Koester

Location Assistant:
Eugene 'EJ' Reid
Bartholomew Booth Jr.

Makeup Department Head:
Jourdan Loving

Original Music Composer:
Dominique Perera

Payroll Accountant:
Sara A. Martin

Post Coordinator:
Jackie Cuellar

Post Production Supervisor:
Dante Wyatt

Producer:
James Seppelfrick
Keith Neal
James Watson
Gold Morgan
Eric Tomosunas

Production Coordinator:
Amber Lauren Russell

Production Design:
Ania Nycole

Property Master:
Kayla Jordan

Script Supervisor:
Danae C. McBurney

Second Assistant "A" Camera:
Cody 'Cam' Mitchell

Second Assistant "B" Camera:
Alexander Choy
Roberto Perez

Second Assistant Director:
Ceecee Bennett

Second Second Assistant Director:
Adam Strobel

Security:
Joseph Antoine Tate

Set Costumer:
Markise Johnson

Set Dresser:
Alysse McCruter
Durrann Brown

Set Medic:
Eric Stobart

Set Production Assistant:
Micah Rodrigues
Alan Brooks

Sound Mixer:
Richard Surman
Arjun Banga

Stand In:
Dani Coleman
Aaron Greene
Saveyon Edwards

Studio Teacher:
La'Keshia Collins
Shequella White

Stunt Coordinator:
Rabon Hutcherson

Teleplay:
Michelle McKissic

Transportation Captain:
Leander Coleman

Transportation Coordinator:
Gary Woods

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.