A work in constant progress (and occasional regress).
Original Title:
Oxana
Genres:
Drama | History
Production Companies:
2.4.7. Films
Rectangle Productions
Production Countries:
France
Ratings / Certifications:
N/A
July 23, 2018. An important date for ex-FEMEN leader Oxana Chatchko - the opening of her exhibition of blasphemous icons. So begins a day of wandering across Paris. Amidst encounters with lovers and an art critic, and an appointment to confirm her political refugee status, memories of her past as a feminist activist, and the traumas and betrayals suffered during her fight, resurface. Can she reawaken her desire to live?
Casting:
Sandie Galan Perez
Costume Design:
Judith de Luze
Aurélie Morille
Costume Supervisor:
Cheikh Asaad Cynthia
Director:
Charlène Favier
Director of Photography:
Éric Dumont
Editor:
Monica Coleman
Extras Casting:
Margaux Bail
First Assistant Camera:
Etienne Dang
First Assistant Director:
Clément Comet
Hair Department Head:
Jane Brizard
Key Grip:
Simonics Balázs
Eric Fodera
Thomas Gros
Makeup Department Head:
Maëla Gervais
Music:
Delphine Malaussena
Post Production Supervisor:
Mélanie Karlin
Producer:
Alice Girard
Jonathan Halperyn
Daniel Kresmery
Marc-Antoine Robert
Production Coordinator:
Martin Zsédely
Production Design:
Florian Sanson
Production Manager:
Karine Dhont
Production Sound Mixer:
Levente Udud
Script:
Laurence Nicoli
Second Assistant Camera:
Sarah Okendo
Sound:
Cyril Moisson
Special Effects Supervisor:
Henrik Gotschalk
Endre Korda
Special Effects Technician:
Zsolt Gottschall
Robert Gyuge
Antal Szasz
Steadicam Operator:
Thomas Burgess
Stunts:
József Kovalik Jr.
Róbert Kovalik
Iván Orsányi
Géza Kovács
Transportation Coordinator:
Zoltán Filipszki
Video Assist Operator:
Mathilde Fernandez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.