A work in constant progress (and occasional regress).
Release Date:
September 26, 2002
Original Title:
Sweet Home Alabama
Alternate Titles:
Doce Lar
Fashion victime
KKK: Mergina iš Alabamos
Mindenütt nő
No me olvides
Nunca me olvides
אין כמו אלבמה
情归阿拉巴马
美麗蹺家人
Genres:
Comedy | Romance
Production Companies:
D&D Films
Original Film
Pigeon Creek Films
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 6 AU: PG CA: PG CZ: U FR: TP GB: 12A HU: 12 IE: 12 JP: PG12 KR: 12 LT: N-7 NL: AL PL: 12 PT: M/12 SE: Btl US: PG-13
Runtime: 108
New York fashion designer, Melanie Carmichael suddenly finds herself engaged to the city's most eligible bachelor. But her past holds many secrets—including Jake, the redneck husband she married in high school, who refuses to divorce her. Bound and determined to end their contentious relationship once and for all, Melanie sneaks back home to Alabama to confront her past.
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Additional Second Assistant Director:
Hillary Schwartz
Art Department Coordinator:
Egan Gauntt
Art Direction:
Jay Pelissier
Assistant Costume Designer:
Marina Ray
Camera Operator:
Bill O'Drobinak
Casting:
Jeanne McCarthy
Kathleen Chopin
Juel Bestrop
Casting Associate:
Jennifer Euston
Blythe Cappello
Construction Coordinator:
Tony Kupersmith
Costume Design:
Sophie de Rakoff
Costume Supervisor:
Mary C. Lane
Dialogue Editor:
Allen Hartz
Julie Feiner
David A. Arnold
Director:
Andy Tennant
Director of Photography:
Andrew Dunn
Editor:
Tracey Wadmore-Smith
Troy Takaki
Executive Producer:
Jon Jashni
Wink Mordaunt
Michael Fottrell
First Assistant Director:
Louis D'Esposito
Foley Editor:
Jim Likowski
Hair Department Head:
Joani Yarbrough
Hair Designer:
Anne Morgan
Hairstylist:
Dawn Turner
Susan 'Star' Orr
Key Hair Stylist:
Philip Ivey
Victor DeNicola
Makeup Artist:
Donna Martin
Brad Wilder
Christine Domaniecki
Makeup Department Head:
Sarah Mays
John Caglione Jr.
Judy Ponder-Patton
Music Editor:
Michael T. Ryan
Music Supervisor:
Dawn Solér
Laura Ziffren
Original Music Composer:
George Fenton
Producer:
Neal H. Moritz
Stokely Chaffin
Production Design:
Clay A. Griffith
Production Supervisor:
Page Rosenberg-Marvin
Sara E. White
Property Master:
Dwight Benjamin-Creel
David H. Allen
Screenplay:
C. Jay Cox
Script Supervisor:
Alicia Accardo
Rebecca Edelson
Second Assistant Director:
Michael Viglietta
Second Second Assistant Director:
Eric Yellin
Kristina M. Peterson
Set Decoration:
Lisa K. Sessions
Set Dresser:
Donald Dowd
Sound Effects Editor:
R.J. Palmer
Sound Re-Recording Mixer:
Bob Beemer
Scott Millan
Still Photographer:
Peter Iovino
Story:
Douglas J. Eboch
Stunt Coordinator:
Lonnie R. Smith Jr.
Stunt Double:
Cal Johnson
Stunts:
Randi Layne
Cal Johnson
Scott Dale
Anderson Martin
Tim Gallin
Supervising ADR Editor:
Christopher T. Welch
Supervising Dialogue Editor:
Teri E. Dorman
Supervising Sound Editor:
George Watters II
Suhail Kafity
Unit Production Manager:
Cheryl Quarantiello
Michael Fottrell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.