A work in constant progress (and occasional regress).
Release Date:
July 10, 1985
Original Title:
Silverado
Alternate Titles:
1985 Silverado
Silverado
ซิลเวอราโด
シルバラード:1985
Genres:
Action | Western
Production Companies:
Columbia Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: 12 CZ: 18+ DE: 12 FR: U GR: 13 HU: 16 IE: 12 JP: G KR: 12 NL: 12 US: PG-13
Runtime: 133
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.
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ADR Editor:
Karen I. Stern
Apprentice Sound Editor:
David Moritz
Art Direction:
William A. Elliott
Assistant Editor:
Julie Feiner
Mitchell Sinoway
Assistant Property Master:
Vinnie Vecchio
Ken Zimmerman
Assistant Sound Editor:
John Hoeren
Reid Paul Martin
Pamela Jule Yuen
Associate Producer:
Mark Kasdan
Best Boy Grip:
Ty Suehiro
Boom Operator:
Robert Crosby
Cableman:
Robert Scarborough
Camera Operator:
Lou Barlia
Richard Walden
Casting:
Wallis Nicita
Casting Assistant:
Gail Levin
Chief Lighting Technician:
Ronald W. McLeish
Color Timer:
Robert Raring
Construction Coordinator:
Clarence Lynn Price
Construction Foreman:
Robert J. Carlyle
Costume Design:
Kristi Zea
Costumer:
Jennifer L. Parsons
G. Tony Scarano
Dialogue Editor:
George H. Anderson
Samuel C. Crutcher
Joe Fineman
Director:
Lawrence Kasdan
Director of Photography:
John Bailey
Dolly Grip:
George R. Schrader
Editor:
Carol Littleton
Executive Producer:
Michael Grillo
Charles Okun
First Assistant Camera:
Leslie Hill
Mako Koiwai
First Assistant Director:
Michael Grillo
First Assistant Editor:
Bruce Cannon
Joan Giammarco
Foley Editor:
Dody Dorn
Cliff Latimer
Greensman:
Darrell Huntsman
Randy Martens
Grip:
Ronald Viveros
Hairstylist:
Lynda Gurasich
Kim Samson
Key Grip:
Al LaVerde
Location Casting:
Liz Keigley
Shari Rhodes
Makeup Artist:
Jerry O'Dell
Daniel C. Striepeke
Music Editor:
Gene Feldman
Erma E. Levin
Negative Cutter:
Donah Bassett
Orchestrator:
Chris Boardman
Don Nemitz
Original Music Composer:
Bruce Broughton
Painter:
Gerald Gates Jr.
Producer:
Lawrence Kasdan
Production Assistant:
Scott Musgrave
Production Coordinator:
Delia Circelli
Mary Cay Hollander
Production Design:
Ida Random
Production Manager:
Charles Okun
Production Sound Mixer:
David M. Ronne
Projection:
Billy R. Brashier
Property Master:
Larry Clark Bird
Scoring Mixer:
Armin Steiner
Screenplay:
Lawrence Kasdan
Mark Kasdan
Script Supervisor:
Pamela Alch
Second Assistant Camera:
Christopher Ishii
Second Assistant Director:
Stephen P. Dunn
Second Film Editor:
Mia Goldman
Second Second Assistant Director:
Margaret Nelson
Set Decoration:
Anne D. McCulley
Arthur Jeph Parker
Set Designer:
Chas. Butcher
Richard McKenzie
Sound Effects Editor:
Dennis Drummond
Patrick Drummond
Sound Re-Recording Mixer:
Rick Kline
Donald O. Mitchell
Kevin O'Connell
Sound Recordist:
Tom Meloeny
Special Effects:
William D. Lee
Richard Wood
Special Effects Manager:
Roy Arbogast
Standby Painter:
Bob Lawless
Still Photographer:
John R. Hamilton
Stunt Coordinator:
Jerry Gatlin
Stunts:
Bruce Randall
Supervising Sound Editor:
Robert Grieve
Title Designer:
Wayne Fitzgerald
Transportation Captain:
Frank Tremonti
John M. Woodward
Transportation Coordinator:
James E. Foote
Unit Production Manager:
David Hamburger
Wardrobe Master:
Le Dawson
Oda Groeschel
Stephen P. Shubin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.