A work in constant progress (and occasional regress).
Release Date:
February 5, 1988
Original Title:
The Serpent and the Rainbow
Alternate Titles:
Käärme ja sateenkaari
La Serpiente y el Arco Iris
La serpiente y el arco iris
Ormen och regnbågen
Voodoo
Wes Craven's The Serpent and the Rainbow
Змей и радуга
ゾンビ伝説
Genres:
Horror | Thriller
Production Companies:
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 DE: 18 FI: K-18 FR: 12 IE: 18 IT: T NL: 16 PH: R-18 PT: M/16 SE: 15 US: R
Runtime: 98
A Harvard anthropologist is sent to Haiti to retrieve a strange powder that is said to have the power to bring human beings back from the dead. In his quest to find the miracle drug, the cynical scientist enters the rarely seen netherworld of walking zombies, blood rites and ancient curses. Based on the true life experiences of Wade Davis and filmed on location in Haiti, it's a frightening excursion into black magic and the supernatural.
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ADR Editor:
Dorian Harris
John Morris
ADR Voice Casting:
Barbara Harris
Additional Camera:
Henry Lynk
Additional Editing:
Peter Amundson
Additional Photography:
George Koblasa
Len Gittleman
Additional Second Assistant Director:
José Luis Ortega
Miguel Heded
Felipe Vicini
Art Direction:
David Brisbin
Assistant Art Director:
Andy Keesee
Assistant Editor:
Bill Ohanesian
Mike Murphy
Assistant Property Master:
Linda Kiffe
Assistant Sound Editor:
Carolina Beroza
Thomas O'Shea
Laura Graham
Christine Danelski
Amy Vincent
Margaret Bentley
Donald Ortiz
Paul Cope
Associate Producer:
David B. Pauker
Victoria Kluge
Best Boy Electric:
Bruce McCleery
Best Boy Grip:
Daniel Pershing
Book:
Wade Davis
Boom Operator:
Steve Sollars
Camera Operator:
Ken Ferris
Casting:
Dianne Crittenden
Casting Assistant:
Sarah C. Koeppe
Co-Producer:
Robert Engelman
Costume Design:
Peter Mitchell
Costume Supervisor:
Shawn Barry
Dialogue Editor:
Bruce Fortune
Cliff Latimer
Director:
Wes Craven
Director of Photography:
John Lindley
Editor:
Glenn Farr
Executive Producer:
Keith Barish
Rob Cohen
Extras Casting Assistant:
Heig Beck
First Assistant Camera:
Lawrence Karman
First Assistant Director:
Robert Engelman
Foley:
Gregg Barbanell
Robin Harlan
Foley Editor:
Mary Helen Leasman
Gaffer:
Patrick Reddish
Key Grip:
Tim Pershing
Key Hair Stylist:
Robert Hallowell II
Key Makeup Artist:
Michelle Bühler
Key Special Effects:
Bruce D. Hayes
Location Casting:
Sue Parker
Original Music Composer:
Brad Fiedel
Producer:
David Ladd
Doug Claybourne
Production Design:
David Nichols
Production Executive:
Curtis Burch
Production Manager:
Jaime Pina Gautier
Juanita Diane Feeney
Property Master:
Charles Stewart
Scoring Mixer:
Tim Boyle
Screenplay:
Adam Rodman
Richard Maxwell
Script Supervisor:
Carmen Soriano
Second Assistant Camera:
Findlay Bunting
Gordon Miller
Second Assistant Director:
George P. Gregg
Second Unit Director:
Rob Cohen
Set Decoration:
Rosemary Brandenburg
Set Designer:
Dawn Snyder
Set Dresser:
Jonathan Craven
Daniela Prati
Sound Designer:
Jay Boekelheide
Sound Effects:
Andy Aaron
Dan Gleich
Sound Effects Editor:
Sara Roberts
Sound Mixer:
Don Summer
Sound Re-Recording Mixer:
Gary C. Bourgeois
Dean Okrand
Chris Carpenter
Special Effects Assistant:
Sandy Stewart
Special Effects Coordinator:
Peter Chesney
Special Effects Makeup Artist:
Jim McPherson
David LeRoy Anderson
James Kagel
Michael Shawn McCracken
Lance Anderson
Jeffrey S. Farley
Leonard MacDonald
Special Effects Technician:
Emmet Kane
Bob Ahmanson
Steadicam Operator:
Alan Caso
Still Photographer:
Gary Farr
Stunt Coordinator:
Anthony Cecere
Stunts:
Debbie Lynn Ross
Irving E. Lewis
Eric Chambers
Perry Nichols
Mark Orrison
Al Lee
Anthony Cecere
Eric Mansker
Ray Woodfork
Marvin Walters
Dane Farwell
Supervising Music Editor:
Allan K. Rosen
Supervising Sound Editor:
Jay Boekelheide
John Benson
Unit Production Manager:
Michael Bennett
Utility Sound:
Christine Lemoine
VFX Director of Photography:
Rick Fichter
Visual Effects Producer:
Japhet Asher
Visual Effects Supervisor:
Gary Gutierrez
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.