A work in constant progress (and occasional regress).
Release Date:
April 6, 2005
Original Title:
Fever Pitch
Alternate Titles:
Amor en juego
Ston pireto tis loksas
Ston pyreto tis loksas
The Perfect Catch
The perfect catch
愛情全壘打
Genres:
Comedy | Romance
Production Companies:
Alan Greenspan Productions
ELC Productions Ltd.
Flower Films
Fox 2000 Pictures
Mars Media Beteiligungs
Wildgaze Films
Production Countries:
Germany | United States of America
Ratings / Certifications:
AT: 6 FR: 10 GB: PG HU: 18 IE: 12 JP: PG12 KR: 12 PL: 16 RO: 15 US: PG-13
Runtime: 104
When Ben Wrightman, a young teacher, begins dating pretty businesswoman Lindsey Meeks, the two don't seem to have a lot of the same interests, but they fall in love, regardless. Their romance goes well until baseball season begins, and Lindsey soon realizes that Ben is completely obsessed with the Boston Red Sox. Though she tries to understand Ben's passionate team loyalty, eventually it threatens to end their otherwise happy relationship.
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Costume Design:
Sophie de Rakoff
Director:
Peter Farrelly
Bobby Farrelly
Director of Photography:
Matthew F. Leonetti
Editor:
Alan Baumgarten
Executive Producer:
Nick Hornby
David Evans
Marc S. Fischer
Key Hair Stylist:
Karola Dirnberger
Key Makeup Artist:
Linda Dowds
Makeup Artist:
Donald Mowat
Music Supervisor:
Tom Wolfe
Manish Raval
Novel:
Nick Hornby
Original Music Composer:
Craig Armstrong
Producer:
Bradley Thomas
Drew Barrymore
Alan Greenspan
Nancy Juvonen
Amanda Posey
Gil Netter
Production Design:
Maher Ahmad
Screenplay:
Babaloo Mandel
Lowell Ganz
Script Supervisor:
Samantha Armstrong
Set Decoration:
Jaro Dick
Still Photographer:
Ava Gerlitz
Transportation Coordinator:
Dana Howes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.