A work in constant progress (and occasional regress).
Release Date:
December 12, 2003
Original Title:
Dead End
Alternate Titles:
-less [レス]
Atajo al infierno
Dead End - Quella strada nel bosco
Dead End: Atajo al infierno
Smrt přichází v bílém (2003)
Smrť prichádza v bielom (2003)
Strofi pros tin Kolasi
Zsákutca
Тупик
Genres:
Horror | Mystery | Thriller
Production Companies:
Captain Movies
Sagittaire Films
Production Countries:
France | United States of America
Ratings / Certifications:
CA: 14A DE: 16 US: R
Runtime: 83
Christmas Eve. On his way to his in-laws with his family, Frank Harrington decides to try a shortcut, for the first time in 20 years. It turns out to be the biggest mistake of his life.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Coordinator:
Shirley Leong
ADR Editor:
David Bartlett
ADR Supervisor:
Thomas Appel
Additional Dialogue:
William Rosenfeld
Additional Editing:
Scott Stevenson
Assistant Costume Designer:
Jenni Lee
Assistant Makeup Artist:
Staci Witt
Boom Operator:
Steve Arcabascio
Bryan Du Toit
Camera Loader:
Susannah Bridges
James Takata
Camera Operator:
Jody Hutchins
Casting:
Amanda Koblin
Casting Associate:
Michele Short
Co-Producer:
Guy Courtecuisse
Color Timer:
Yvan Lucas
Fabien Pascal
Costume Design:
Deborah Waknin
Costumer:
Beth Ann Hoppe
Digital Effects Producer:
Joyce Menger
Director:
Jean-Baptiste Andrea
Fabrice Canepa
Director of Photography:
Alexander Buono
Dolby Consultant:
Michel Monier
Dolly Grip:
Fante Zamora
Editor:
Antoine Vareille
Executive Producer:
James Huth
Yves Chevalier
First Assistant Camera:
Philip J. Jaffe
First Assistant Director:
Kiran Gonsalves
Foley Artist:
Pascal Dedeye
Foley Mixer:
Laurent Boudaud
Gaffer:
Tony Bryan
Jonathon Bradley
Key Grip:
W. Ted Mayer
Key Hair Stylist:
T.C. Thecla Luisi
Key Makeup Artist:
T.C. Thecla Luisi
Key Production Assistant:
Heather Mitchell
Lighting Technician:
Anthony Cady
Joel Langston
Willis Pipkins Jr.
Line Producer:
Albert Hasson
Makeup Artist:
Kumura Luly
Matte Painter:
Sacha Beliaev
Music Consultant:
Bradford Ellis
Music Supervisor:
Greg De Belles
Negative Cutter:
Patrick Thauvin
Original Music Composer:
Greg De Belles
Post Production Supervisor:
Guy Courtecuisse
Christelle Didier
Producer:
James Huth
Sonja Schillito
Gabriella Stollenwerck
Cécile Telerman
Production Assistant:
Annie Desgris
Sophie Imbert
Bianca D'Carpio
Production Coordinator:
Bob Hebert
Production Design:
Bryce Holtshousen
Production Manager:
Natalie Rademeyer
Production Sound Mixer:
James Ridgley
Property Master:
Chris Kas
Rigging Gaffer:
Casey Ellison
Script Supervisor:
Lynne Kelly
Second Assistant Camera:
Carlos de Varona
Second Assistant Director:
Ivan Kraljević
Second Second Assistant Director:
D. Cole Berry
Sound Designer:
Germain Boulay
Laurent Quaglio
Sound Effects Editor:
Germain Boulay
Sound Re-Recording Mixer:
François Musy
Gabriel Hafner
Special Effects Makeup Artist:
T.C. Thecla Luisi
Still Photographer:
Patrick Malakian
Transportation Coordinator:
P. Gerald Knight
Wardrobe Assistant:
Misty Lawrence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.