A work in constant progress (and occasional regress).
Release Date:
April 27, 1983
Original Title:
Koyaanisqatsi
Alternate Titles:
Koyaanisqatsi: Life Out of Balance
Кояанискатси
코야니스카시
Genres:
Documentary | Drama
Production Companies:
American Zoetrope
IRE Productions
Santa Fe Institute for Regional Education
Production Countries:
United States of America
Ratings / Certifications:
AU: G BE: AL BR: Livre DE: 6 ES: 7 FI: S FR: U HU: 16 NL: 6 PL: 16 PT: Livre US: NR
Runtime: 86
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
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Additional Photography:
Christine Gibson
Hillary Harris
Louie Schwartzberg
Assistant Camera:
Neil Bockman
Roger McNew
Robert Hill
David Brownlow
Associate Producer:
Mel Lawrence
Roger McNew
Lawrence Taub
Alton Walpole
T. Michael Powers
Director:
Godfrey Reggio
Director of Photography:
Ron Fricke
Editor:
Ron Fricke
Alton Walpole
Executive Producer:
Francis Ford Coppola
Grip:
Robert Palmer
Roy Hememnez
Mark Muich
Dean Alatzas
Idea:
Guy Debord
Leopold Kohr
Jacques Ellul
David Monongye
Ivan Illich
Music:
Philip Glass
Negative Cutter:
Gary Burritt
Original Music Composer:
Philip Glass
Producer:
Godfrey Reggio
Screenplay:
Ron Fricke
Michael Hoenig
Alton Walpole
Godfrey Reggio
Sound Effects:
Randy Thom
Sound Re-Recording Mixer:
Steve Maslow
Still Photographer:
Wayne V. McGee
Phillip Harrington
Karl Kernberger
Title Designer:
Paul Pascarella
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.