A work in constant progress (and occasional regress).
Release Date:
May 1, 2023
Original Title:
1:30 AM
Genres:
Crime | Horror | Mystery
Ratings / Certifications:
N/A
Runtime: 43
Nishi, a girl in her late teens, the protagonist of the film '1:30 am', portrays an intense human turmoil, being torn inside by her split personality. Her make-belief world is happy and normal, darkness and void hitting her in swings. The inconceivable mysteries of her alter existence, guides her through the state of caged delusion, relieving her from pain. Torn within, Nishi commits heinous crimes, yet, lives on to believe she doesn't. Her entity is ensured by her second self. Her own split personality controls Nishi as a silent killer hiding behind a mask of composure and mindless chatter. As we move through some phases of Nishi's life, the invisible power becomes overwhelming, leaving us at a mysterious crossroad of Nishi's existence and non-existence.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.