A work in constant progress (and occasional regress).
Release Date:
January 1, 2016
Original Title:
La historia de Fulano
Genres:
Comedy
Production Companies:
Instituto Superior de Cine y Artes Audiovisuales de Santa Fe
Production Countries:
Argentina
Ratings / Certifications:
AR: ATP
Runtime: 19
So-and-so, a bartender used to being a secondary character, will use the powers of the script to become a superhero and the protagonist of the story.
Animation:
Manuel Allende
Fabricio Sola
Marcos Martinez
Emilia Vergara
Art Department Assistant:
Darío García
Iván Mielnizuk
Yamila Belén Gutiérrez
Jazmín Fernández Cardot
Art Direction:
Paula Coky
Assistant Director:
Camila Villalba
Luciano Giardino
Aníbal Pared
Camera Operator:
Nahuel Beade
Juan Gervasoni
Catering:
Claudia Chamudis
Color Timer:
Marcos Martinez
Costume Design:
Verónica Alonso
Director:
Manuel Allende
Director of Photography:
Marcos Martinez
Editor:
Emilia Vergara
Electrician:
Baltasar Albrecht
Andrés Vernetti
Nahuel Beade
Ignacio Coutaz
Emiliano Moretti
Luciana Figueroa
Juan Gervasoni
Emanuel Erard
Makeup Designer:
Alicia Gómez
Yamila Belén Gutiérrez
Music:
Matías Allende
Post Production Supervisor:
Manuel Allende
Marcos Martinez
Emilia Vergara
Producer:
Emilia Vergara
Producer's Assistant:
Gina Bonfanti
Sound:
Agustina Marchi
Sound Assistant:
Facundo Sonder
Matías Allende
Santiago Torres
Sound Post Supervisor:
Matías Allende
Agustina Marchi
Thanks:
Claudia Ruiz
Pablo Corino
Rodrigo Stettler
Manuel Acosta Belucci
Claudia Chamudis
Lautaro Martínez
Conrado Senn
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.