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Eterno Mal (????) [N/A]

Original Title:
Eterno Mal

Genres:
Horror

Production Companies:
Otro Plan films

Production Countries:
Argentina

Ratings / Certifications:
 N/A

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Actor's Assistant:
Vanina Le Roux

Art Direction:
Milagro Carmona
Luciana Acevedo Rojo

Assistant Art Director:
Natalia Cassano
Melisa Rubies
luciana romero

Assistant Director:
Pablo Matos

Assistant Production Coordinator:
Camila Reale
Constanza Palevich
Luis Reina
Gastón Guerini

Camera Operator:
Nayla Dib
Daro Ceballos

Clapper Loader:
Sofia Gatica

Color Assistant:
Agustin Muñoz
Nicolas Bosco

Color Grading:
Ezequiel Matcovich

Costumer:
Nadia Mabres

Director:
Daro Ceballos

Director of Photography:
Ezequiel Matcovich

Editor:
Daro Ceballos
Pablo Matos

Electrician:
Luis Reina
Santiago Wursten
Victor Cabrera

Gaffer:
Agustin Muñoz

Graphic Designer:
Javier Iván Cano

Makeup Artist:
Milagro Carmona

Makeup Effects Designer:
Luciana Acevedo Rojo

Music:
José Pomilio
Lucio Garcia

Production Designer:
Joaquin Demaria

Production Director:
Vanina Le Roux

Second Assistant "A" Camera:
Maria Emilia Nicola

Sound Assistant:
Agustina Angeloni
Tomas Figuera

Sound Director:
Lucas Ambrosini

Sound Post Supervisor:
Lucas Ambrosini

Writer:
Daro Ceballos

Click the heading above to show or hide the list.

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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