A work in constant progress (and occasional regress).
Release Date:
May 9, 2023
Original Title:
All You're Good For
Genres:
Drama
Production Companies:
Precision Cinematics
Vinland Visuals
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 17
A college student named Anthony is having visual and auditory hallucinations which leads him to drink and do drugs.
Assistant Camera:
Hanna Rudick
Javier Pioquinto
Best Boy Grip:
Nolan Huisenga
Boom Operator:
Ashlyn Hettleman
Ian Hall
Nolan Huisenga
Camera Operator:
Ella Weary
Colorist:
Marcos Repollé
Director:
Hanna Rudick
Director of Photography:
Ashlyn Hettleman
Editor:
Ashlyn Hettleman
Marcos Repollé
Makeup & Hair:
Sophia McKay
Music Supervisor:
Ashlyn Hettleman
Producer:
Marcos Repollé
Production Assistant:
Javier Pioquinto
Amadou Doumbia
Isabella Scarcelli
Mikayla Mazur
Nolan Huisenga
Screenplay:
Kaleigh Hamilton
Sound Director:
Tess Becket
Sound Editor:
Marcos Repollé
VFX Artist:
Marcos Repollé
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.