A work in constant progress (and occasional regress).
Release Date:
November 27, 2001
Original Title:
Time Lapse
Alternate Titles:
Sulle tracce del passato
Genres:
Action | Thriller
Production Companies:
CineTel Films
Lions Gate Films
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 88
Clayton Pierce is an agent working under deep cover. Although he is a top agent, he is questioning his loyalty after twenty years of service. His devotion has already cost him his wife, family and personal life. During a de-briefing from his last assignment, he is unknowingly administered the drug Oblivion, which destroys brain cells causing permanent memory loss. Within a few days of injection, the drug's effects become irreversible. Clayton will not only lose his memory, he will lose his identity as well. He realizes he can no longer rely on anyone at the agency to help him, not even his boss, Agent LaNova. With nowhere left to go, he appeals to his ex-wife, Kate, for help. Clayton and Kate must locate the antidote before it's too late.
Camera Operator:
Houman Forough
Costume Design:
Bonnie Stauch
Director:
David Worth
Director of Photography:
David Worth
Editor:
Daniel Duncan
First Assistant Director:
Joel Morales
Makeup Department Head:
Sheri Knight
Producer:
Paul Hertzberg
J.P. Pettinato
Production Design:
Timothy Roberts
Sound Re-Recording Mixer:
Patrick Giraudi
Kelly Vandever
Stunt Coordinator:
Kurt Bryant
Stunt Driver:
Errol Sack
Stunts:
Dennis Fitzgerald
Paul Beahm
Carl Milinac
Frank Torres
Michael Owen
Lou Simon
Supervising Sound Editor:
Scott C. Kolden
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.