A work in constant progress (and occasional regress).
Release Date:
December 6, 1996
Original Title:
Daylight
Alternate Titles:
Daylight (1996)
Daylight - paniikki tunnelissa
Daylight: Infierno en el túnel
Dgis sinatle
Dienos sviesa
Le tunnel de l'enfer
Luz del día
Pánico en el túnel
Svetloba
Svetlost dana
Svjetlost dana
Дневна светлина
데이 라잇
Genres:
Action | Adventure | Thriller
Production Companies:
Davis Entertainment
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M CZ: 12+ DE: 12 FR: U|16 GB: 12 HU: 12 IE: 12 IT: T NL: 12 PT: M/12 RO: 12 SE: 15 US: PG-13
Runtime: 115
A group of armed robbers fleeing the police head for the New Jersey Tunnel and run right into trucks transporting toxic waste. The spectacular explosion that follows results in both ends of the tunnel collapsing and the handful of people who survived the explosion are now in peril. Kit Latura is the only man with the skill and knowledge to lead the band of survivors out of the tunnel before the structure collapses.
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ADR Editor:
Victoria Rose Sampson
ADR Mixer:
Robert Deschaine
ADR Voice Casting:
Barbara Harris
Additional Second Assistant Director:
Seth Edelstein
Aerial Camera:
Ron Goodman
Art Direction:
Mark Zuelzke
Maria Teresa Barbasso
Assistant Costume Designer:
Marco Magno
Assistant Makeup Artist:
Eloisa De Laurentiis
Assistant Production Coordinator:
Jill Footlick
Assistant Property Master:
Jacqueline Arnot
Assistant Sound Editor:
Nancy Barker
Associate Producer:
Tony Munafo
Best Boy Electric:
Mario Massaccesi
Best Boy Grip:
Monique Mitchell
Boom Operator:
Linda Murphy
CG Supervisor:
Ole Dieter Sturm
Camera Operator:
Gianmaria Majorana
Camera Technician:
David Norris
Casting:
Margery Simkin
Casting Assistant:
Mark Byrne
Clapper Loader:
Paola Barbaglia
Co-Executive Producer:
Paul Neesan
Co-Producer:
Hester Hargett
Herb Gains
Color Timer:
Mike Stanwick
Conductor:
Randy Edelman
Construction Coordinator:
Mark Mann
Construction Grip:
Ralph Perri
Costume Design:
Isis Mussenden
Thomas Casterline
Dialect Coach:
Nadia Venesse
Dialogue Editor:
Dwayne Avery
Digital Effects Supervisor:
Christophe Hery
Digital Supervisor:
Richard Patterson
Director:
Rob Cohen
Director of Photography:
David Eggby
Dolly Grip:
Bruce Hamme
Driver:
Attilio Belfiore
Editor:
Peter Amundson
Electrician:
Massimiliano Barletta
Executive In Charge Of Production:
James W. Kristoff
Executive Producer:
Raffaella De Laurentiis
First Assistant Director:
Herb Gains
First Assistant Editor:
John M. Taylor
Focus Puller:
Stefano Falivene
Foley Artist:
John T. Cucci
Foley Mixer:
James Ashwill
Foley Recordist:
Linda Lew
Gaffer:
Chuck Finch
Graphic Designer:
Peter Menich
Grip:
Roberto Barbona
Hair Designer:
Mirella De Rossi
Hairstylist:
Angelo Vannella
Head Carpenter:
Renzo Corradi
Key Construction Grip:
Larry Steinberg
Key Grip:
Grahame Litchfield
Leadman:
Timothy Metzger
Location Manager:
Charles Zalben
Location Scout:
Adam Baer
Makeup Artist:
Mauro Meniconi
Scott H. Eddo
Makeup Supervisor:
Giannetto De Rossi
Music Editor:
Joanie Diener
Negative Cutter:
Doug Jones
Orchestrator:
Ralph Ferraro
Original Music Composer:
Randy Edelman
Payroll Accountant:
Sandy Green
Post Production Supervisor:
Barbara Ostrowiecki
Producer:
John Davis
David T. Friendly
Joseph Singer
Production Accountant:
Eduardo De La Grana
Production Assistant:
Francesco Belfiore
Production Coordinator:
Pamela Hochschartner
Production Design:
Benjamín Fernández
Production Driver:
Paolo Bernardini
Production Manager:
Ezio Orita
Production Sound Mixer:
Allan Byer
Project Manager:
Edward Hirsh
Projection:
Timothy Greenwood
Property Master:
Ron Downing
Pyrotechnician:
Richard O. Helmer
Rigging Grip:
Mark Ramsey
Screenplay:
Leslie Bohem
Script Supervisor:
Nada Pinter
Seamstress:
Silvana Cocuccione
Second Assistant Camera:
Bob Becchio
Second Assistant Director:
Chitra F. Mojtabai
Second Unit Director:
Buzz Feitshans IV
Security:
Gary Compton
Set Costumer:
Frank Avanzo
Set Decoration:
Alberto Tosto
Set Production Assistant:
Pamela Kordahi
Set Supervisor:
Trevor Neighbour
Sound Editor:
James Christopher
Sound Effects Editor:
Mike Chock
Sound Recordist:
Charlie Ajar Jr.
Special Effects Assistant:
Daniel Auber
Special Effects Supervisor:
Kit West
Special Effects Technician:
Danilo Bollettini
Steadicam Operator:
Mark Ramsey
Still Photographer:
Sam Emerson
Story Editor:
Julie Hansen
Storyboard Artist:
Mentor Huebner
Stunt Coordinator:
Mark De Alessandro
Stunt Double:
Anthony Sinopoli
Stunts:
Gillian Aldam
Eddie Powell
Janet Paparazzo
Lisa McCullough
Dianne Kelly
Sarah Franzl
Danielle da Costa
Abbi Collins
Helen Caldwell
Dana Bertolette
Lucy Allen
Doug Coleman
Supervising ADR Editor:
Andrew Patterson
Supervising Art Director:
Pier Luigi Basile
Marco Trentini
Supervising Sound Editor:
Richard L. Anderson
Tailor:
Giampiero Grassi
Technical Advisor:
Paul M. Maniscalco
Transportation Co-Captain:
Timothy J. Wood
Transportation Coordinator:
Mladen Cernjak
Underwater Director of Photography:
Buzz Feitshans IV
Unit Manager:
Mario Francini
Beatrice Arweiler
Stefano Spadoni
Unit Production Manager:
Milan Stanisic
Gianfranco De Rosa
Unit Publicist:
Peter J. Silbermann
Utility Stunts:
Massimiliano Ubaldi
Visual Effects Art Director:
Claudia Mullaly
Visual Effects Editor:
Michael Gleason
Visual Effects Producer:
Denise Ream
Visual Effects Supervisor:
Scott Farrar
Wardrobe Supervisor:
Kevin P. Faherty
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.