Malikmata (2023) [N/A]

Release Date:
May 3, 2023

Original Title:
Malikmata

Production Companies:
Alak at Pelikula Production

Production Countries:
Philippines

Ratings / Certifications:
 N/A

Runtime: 13

Aling Nene, is pregnant and almost at her due date. She’s cleaning the household while Tatay Rode and Elai, the eldest daughter is taking care of the harvest while the youngest son, Detoy is still asleep in their room. Aling Nene sees an “Aswang” near their house and starts to panic. She tells Tatay Rode about this but he shoves it off and laughs. At night, Elai and Tatay Rode argues about her future. While they sleep, Aling Nene dreams about the “Aswang” she saw in the woods. She wakes up from her dream. She hears the sound of the “Aswang” and immediately wakes up Tatay Rode and he’s about to give a fight. But then, the alleged “Aswang” turns to be real human soldiers who wants their house and lot for the Kaliwa Dam project. The two children runs off while Aling Nene tries to secure their future. The parents were killed trying to save their children. While the two finds out the truth when they got away from the soldiers. The future now lies in the hands of the two children.

Additional information:

The Search Form


Assistant Director of Photography:
Tyrone James Lauzon

Director:
Jean A. Evangelista

Director of Photography:
Corlisse Nicolas

Editor:
Ayen Alvares
Randy Erta

Executive Producer:
Jean A. Evangelista
Lorenza Evangelista
Jun Abao
Aliyah Jaldon

Music Score Producer:
Godwayne Songalia

Production Design:
Alleison Dimatulac

Sound Designer:
Xyron Parapara
Randy Erta
Aki Red

Writer:
Jean A. Evangelista

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.