A work in constant progress (and occasional regress).
Release Date:
May 12, 1989
Original Title:
See No Evil, Hear No Evil
Alternate Titles:
Ciegos, Sordos y Locos
Nic Nie Widziałem, Nic Nie Słyszałem
Non Guardarmi, Non Ti Sento
Non guardarmi: non ti sento
Δεν Βλέπω Τίποτα, Δεν Ακούω Τίποτα
Genres:
Comedy | Crime
Production Companies:
TriStar Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 DE: 12 DK: 11 ES: A FI: K-18 GB: 15 HU: 16 IE: 15 NL: 12 SE: 15 US: R
Runtime: 103
A murder takes place in the shop of David Lyons, a deaf man who fails to hear the gunshot being fired. Outside, blind man Wally Karue hears the shot but cannot see the perpetrator. Both are arrested, but escape to form an unlikely partnership. Being chased by both the law AND the original killers, can the pair work together to outwit them all?
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ADR Voice Casting:
Barbara Harris
Art Direction:
James T. Singelis
Assistant Accountant:
Rubén Rodríguez
Suzanne E. Vaucher
Assistant Art Director:
Alan Kimmel
Assistant Costume Designer:
Lillian Pan
Assistant Editor:
Leslie Jones
Assistant Production Coordinator:
Michael Boonstra
Assistant Property Master:
John R. Ford
Assistant Sound Editor:
Michael Hoskinson
Assistant Unit Manager:
John J. Healey
Associate Producer:
Erica Hiller
Jody Worth
Best Boy Electric:
James P. Dolan
Best Boy Grip:
Tom Gilligan
Boom Operator:
Gary Parker
Camera Operator:
Michael Stone
Casting:
Lynn Stalmaster
Construction Coordinator:
Scott Gertsen
Costume Design:
Ruth Morley
Costume Supervisor:
Mark Burchard
Arlene B. Coffey
Craft Service:
Wister Pilling
Wilson Lyle
Director:
Arthur Hiller
Director of Photography:
Victor J. Kemper
Dolly Grip:
John D. Kennedy
Editor:
Robert C. Jones
Executive Producer:
Burtt Harris
Arne Sultan
Earl Barret
Extras Casting:
Sylvia Fay
First Assistant Camera:
Jack Brown
First Assistant Director:
Mark McGann
Foley Artist:
Joseph T. Sabella
John Roesch
Foley Editor:
Shawn Sykora
Foley Mixer:
Greg Orloff
Foley Recordist:
Carolyn Tapp
Gaffer:
James 'Packy' Dolan
Hairstylist:
Annie M. DeMille
In Memory Of:
Arne Sultan
Key Grip:
Ed Quinn
Leadman:
Gerald DeTitta
Location Coordinator:
Annie Stewart
Makeup Artist:
Toy Van Lierop
Tony Lloyd
Monty Westmore
Music Editor:
Michael Dittrick
Original Music Composer:
Stewart Copeland
Producer:
Marvin Worth
Production Accountant:
Elizabeth Yanoska
Production Design:
Robert Gundlach
Production Office Coordinator:
Wendi Haas
Property Master:
Robert Griffon Jr.
Screenplay:
Gene Wilder
Earl Barret
Eliot Wald
Arne Sultan
Andrew Kurtzman
Script Supervisor:
Mary Bailey
Second Assistant Camera:
Bobby Brown
Second Assistant Director:
Glen Trotiner
Second Second Assistant Director:
Julie A. Bloom
Second Unit Director:
Conrad E. Palmisano
Second Unit Director of Photography:
Tom Priestley Jr.
Second Unit First Assistant Director:
Michael Haley
Set Decoration:
George DeTitta Jr.
Sound Editor:
Robert Bradshaw
J.H. Arrufat
Donald L. Warner Jr.
James J. Isaacs
Richard E. Yawn
John Leveque
Sound Effects:
Gary Blufer
John Michael Fanaris
Sound Mixer:
Dennis Maitland
Sound Re-Recording Mixer:
Richard Portman
Steve Pederson
Mark Smith
Special Effects:
Bill Traynor
Conrad 'Connie' F. Brink
Special Effects Supervisor:
Al Griswold
Still Photographer:
Michael Ginsburg
Louis Goldman
Story:
Marvin Worth
Earl Barret
Arne Sultan
Stunt Coordinator:
Conrad E. Palmisano
Stunts:
Glory Fioramonti
G.A. Aguilar
Sandy Richman
Phil Neilson
Kenny Bates
Lori Seaman
Bill Anagnos
Harry Wowchuk
James Welch
Gary Baxley
Norman Douglass
Dana Bertolette
Gary Tacon
Roy Thomas
Tom Wright
Jery Hewitt
Paul Bucossi
Dick Hancock
Danny Aiello III
Greg Wayne Elam
Roy Farfel
Rick Seaman
Deborah Watkins
Edgard Mourino
Michael Russo
Peter Bucossi
Supervising ADR Editor:
Becky Sullivan
Supervising Sound Editor:
Gordon Ecker
Bruce Stambler
Title Designer:
Wayne Fitzgerald
Transportation Captain:
Edward O'Donnell
Transportation Coordinator:
Thomas Reilly
Unit Production Manager:
Burtt Harris
Unit Publicist:
Susan Alschuler
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.