A work in constant progress (and occasional regress).
Release Date:
March 12, 2004
Original Title:
Spartan
Alternate Titles:
Búsqueda desesperada
O Spartiatis
Spartanac
Spartanets
Genres:
Action | Crime | Drama | Mystery | Thriller
Production Companies:
ApolloMedia
ApolloProMedia GmbH & Co. 1. Filmproduktion KG (I)
Franchise Pictures
QI Quality International GmbH & Co. KG
Signature Pictures
Production Countries:
Germany | United States of America
Ratings / Certifications:
DE: 16 GB: 15 IE: 15 US: R
Runtime: 102
U.S. government agent Scott is assigned to rescue the daughter of a high-ranking government official. As willing as he is to bend the rules to get things done, though, Scott is shocked to find that others are willing to go even further to protect a political career.
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ADR Editor:
Stephanie Brown
ADR Mixer:
Eric Thompson
ADR Recordist:
Chris Navarro
Accountant:
Heidi August
Additional Music:
Elliott Goldkind
Armorer:
David Aaron
Art Department Assistant:
Thomas Bean
Art Department Coordinator:
Gretchen Engel
Art Direction:
Christopher Tandon
Assistant Art Director:
Ray Yamagata
Assistant Camera:
Marc Margulies
Assistant Craft Service:
Gretchen Schlottman
Assistant Location Manager:
Paul Codiga
Assistant Production Coordinator:
Mark Cross
Assistant Property Master:
Stuart Rankine
Assistant Sound Editor:
Nathan Whitehead
Associate Producer:
Kareem Elseify
Best Boy Electric:
Ken Berkhout
Best Boy Grip:
Kurt Stevens
Camera Loader:
Kira Hellickson
Camera Operator:
Bruce Alan Greene
Camera Production Assistant:
Taylor Black
Camera Technician:
Masahiro Onodera
Carpenter:
Graham Cole
Casting:
Cassandra Kulukundis
Casting Assistant:
Khadj Edison
Casting Associate:
John Barba
Chef:
Carlos Guel
Co-Producer:
Joseph Merhi
Jan Fantl
Color Timer:
Dennis McNeill
Colorist:
Jon Rocke
Conductor:
Ken Kugler
Construction Coordinator:
David T. Cannon
Construction Foreman:
Jack Coyle
Costume Design:
Shay Cunliffe
Costume Supervisor:
Marcus Love-McGuirk
Craft Service:
H. Leah Amir
Dialogue Editor:
Kimberly Lowe Voigt
Digital Compositors:
Jeremy Nicolaides
Digital Supervisor:
Johnathan R. Banta
Director:
David Mamet
Director of Photography:
Juan Ruiz Anchía
Dolby Consultant:
James Wright
Dolly Grip:
Alan Shultz
Arthur Blum
Driver:
Denise Avallon
Editor:
Barbara Tulliver
Electrician:
Rick Cardillo
Executive Producer:
Tracee Stanley
Frank Hübner
James A. Holt
Extras Casting:
Dixie Webster
First Assistant Camera:
Merritt Gold
First Assistant Director:
Cas Donovan
First Assistant Editor:
Eric E. Osmond
First Assistant Sound Editor:
Nancy Barker
Foley Artist:
Gregg Barbanell
Foley Editor:
Eddie Kim
Foley Mixer:
Jason Piatt
Gaffer:
Roger Sassen
Generator Operator:
Michael E. Reynolds
Greensman:
Butch McCarthy
Grip:
Karen L. Dicey
Hairdresser:
Annie Townsend
Hairstylist:
Brenda McNally
Key Costumer:
Amy Elise Roberts
Key Grip:
Charles John Bukey
Key Hair Stylist:
Candida Conery
Key Makeup Artist:
John R. Bayless
Key Production Assistant:
Scott Masterson
Key Rigging Grip:
Gary Brostrom
Key Set Production Assistant:
Kenny Chaplin
Lead Painter:
Chris Barnes
Leadman:
Chris Coulson
Chris Coulson
Legal Services:
Adam W. Rosen
Lighting Technician:
Kory Mills
Line Producer:
Rick Nathanson
Jerry P. Jacobs
Paul Tivers
Location Manager:
David Boardman
Makeup Artist:
Tarra D. Day
Makeup Department Head:
Peter Robb-King
Military Consultant:
Eric L. Haney
Mixing Engineer:
Michael A. Morongell
Music Editor:
Joshua Winget
Musician:
Maria Newman
Negative Cutter:
Mo Henry
Orchestrator:
Ken Kugler
Original Music Composer:
Mark Isham
Painter:
Cliff Berns
Payroll Accountant:
Denyse Rossi
Picture Car Coordinator:
Bobby Anderson
Post Production Assistant:
Jared Seltzer
Post Production Supervisor:
Steven Kaminsky
Producer:
Elie Samaha
Moshe Diamant
Art Linson
David Bergstein
Production Accountant:
Barbara-Ann Stein
Production Assistant:
Mary L. Agnes
Production Coordinator:
Craig Ayers
Production Design:
Gemma Jackson
Production Driver:
Bob Dorn
Production Executive:
Ian Watermeier
Production Manager:
Tessa Beazley
Production Secretary:
Janine Bevan
Production Supervisor:
Reinhild Gräber
Project Manager:
Josef Brandmaier
Property Master:
Peter Bankins
Propmaker:
Mark Borg
Rigging Gaffer:
Greg Banta
Scoring Mixer:
Stephen Krause
Screenplay:
David Mamet
Script Supervisor:
Judi Townsend
Second Assistant Accountant:
Carrie Mae Jones
Second Assistant Camera:
Lisa Guerriero
Second Assistant Director:
Michael Helfand
Second Second Assistant Director:
Anne Berger
Second Unit First Assistant Director:
Maximillian D. Day
Set Costumer:
Danielle Baker
Set Decoration:
Susan Emshwiller
Set Designer:
Greg Berry
Set Dresser:
Jay Heyman
Set Medic:
Lynn Johnson
Sound Effects Editor:
Richard Adrian
Sound Mixer:
Felipe Borrero
Special Effects Assistant:
Roger Danchik
Special Effects Coordinator:
John Harajovic
Special Effects Supervisor:
J.D. Streett
Special Effects Technician:
Charles Cooley
Stand In:
Rosemary Gearheart
Standby Painter:
Paul W. Gorfine
Steadicam Operator:
Jeff Clark
Bruce Alan Greene
Still Photographer:
Jim Bridges
Storyboard Artist:
Peter Ramsey
Stunt Coordinator:
Danny Aiello III
Brian Imada
Jeff Imada
Stunt Double:
Keith Splinter Davis
Danny Weselis
Toby Holguin
Scott Waugh
Brett A. Jones
Cinda-Lin James
Norman Howell
Greg Wattkis
Stunts:
Alex Madison
Supervising ADR Editor:
Stephanie Flack
Supervising Dialogue Editor:
Stephanie Flack
Supervising Sound Editor:
Richard E. Yawn
Swing:
Jennifer Engel
Third Assistant Director:
Lucy Egerton
Title Designer:
Andy Goldman
Transportation Captain:
Timothy P. Ryan
Transportation Co-Captain:
John 'J.P.' Pratt
Transportation Coordinator:
Stephen A. Latina
Unit Production Manager:
Dorothy Aufiero
Unit Publicist:
Kym Langlie
Utility Sound:
Tony Gray
Utility Stunts:
Michael Hilow
Video Assist Operator:
Rafael 'Rafa' Castro
Visual Effects Producer:
Tim Sassoon
Visual Effects Supervisor:
Chris Brown
Wardrobe Supervisor:
Debbie Holbrook
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.