A work in constant progress (and occasional regress).
Release Date:
December 24, 2023
Original Title:
Chi ha rapito Jerry Calà?
Genres:
Comedy
Production Companies:
EFFE - Investicinema
Vargo Film
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 100
An unlikely gang of new criminals decides to kidnap Jerry Calà with the aim of asking for a large ransom and turning their lives around. They will soon discover that things aren't exactly as they imagined. Friends Mara Venier and Umberto Smaila and their son Johnny intervene, playing themselves, but the turning point comes when Massimo Boldi himself declares himself willing to pay the ransom.
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Assistant Director:
Jacopo Aiello
Giacomo Di Niro
Assistant Editor:
Nicola Fabbi
Boom Operator:
Giacomo Vitiello
Co-Producer:
Diego D'Ambrosio
Colorist:
Massimiliano Melone
Construction Coordinator:
Michele Vela
Director:
Jerry Calà
Director of Photography:
Roberto Lucarelli
Editor:
Viviana Vittigli
Electrician:
Ivano Leone
Extras Casting:
Francesco Tipaldi
First Assistant Camera:
Jacopo Meneghin
Foley Artist:
Annamaria La Rosa
Ignazio Vellucci
Gaffer:
Francesco Sacco
Grip:
Simone Cinque
Giuseppe Scudo
Location Manager:
Ciro Schiano Moriello
Original Music Composer:
Sandro Di Stefano
Post-Production Manager:
Annamaria La Rosa
Producer:
Gianluca Varriale
Alessandro Riccardi
Production Coordinator:
Serena Mattiello
Props:
Vincenzo Fasciato
Recording Supervision:
Massimo Filippini
Screenplay:
Edoardo Bechis
Jerry Calà
Second Assistant Director:
Francesco D'Ambrosio
Johnny Calà
Sound Mixer:
Antonio Casparriello
Story:
Edoardo Bechis
Jerry Calà
Supervising Sound Editor:
Massimo Filippini
Unit Production Manager:
Daniele Magliulo
VFX Supervisor:
Emiliano Leone
Visual Effects:
Emiliano Leone
Writer:
Jerry Calà
Edoardo Bechis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.