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The Invisible Woman (2013) [R]

Release Date:
December 25, 2013

Original Title:
The Invisible Woman

Alternate Titles:
Dik gang si dik jan mat cing yan
I aorati gynaika
La mujer invisible
Невидима жінка
Невидимата жена

Genres:
Drama | History | Romance

Production Companies:
BBC Film
Headline Pictures
Magnolia Mae Films

Production Countries:
United Kingdom

Ratings / Certifications:
AU: M  DK: A  GB: 12  GR: Κ-12  IE: 16  US: R 

Runtime: 111

His greatest story was the one he could never tell.

Overview from TheMovieDB

In 1857, at the height of his fame and fortune, novelist and social critic Charles Dickens meets and falls in love with teenage stage actress Nelly Ternan. As she becomes the focus of his heart and mind, as well as his muse, painful secrecy is the price both must pay.

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Trailer

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Performers

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Production

Art Direction:
Sarah Stuart

Assistant Art Director:
Marco Anton Restivo

Assistant Costume Designer:
Anna Kot
Maja Meschede

Assistant Set Decoration:
Krysia Whitty

Boom Operator:
Kate Morath

Camera Operator:
Alan Stewart

Casting:
Leo Davis

Chaperone:
Jan Peters
Gemma Richardson

Choreographer:
Francesca Jaynes

Clapper Loader:
Adam Dorney
David Mackie

Construction Coordinator:
Nicky Ackland-Snow

Construction Foreman:
Gene D'Cruze

Construction Manager:
Dominic Ackland-Snow

Costume Design:
Michael O'Connor

Costume Supervisor:
Georgina Gunner

Dialogue Coach:
Joan Washington

Director:
Ralph Fiennes

Director of Photography:
Rob Hardy

Editor:
Nicolas Gaster

Executive Producer:
Stefano Ferrari

Extras Casting:
Solomon Artistes
George Moss

First Assistant "A" Camera:
Jennie Paddon

First Assistant Director:
Josh Robertson

First Assistant Editor:
Andrew Jadavji

Floor Runner:
Sekani Doram
Oliver Hazell
Annie Hitchcock
Michela Marini

Foley:
Peter Burgis
Barnaby Smyth

Gaffer:
Julian White

Graphic Designer:
Emily Lutyens

Greensman:
Peter Hooper
Jon Marson

Hair Designer:
Jenny Shircore

Key Grip:
Sam Phillips

Makeup & Hair:
Zoe Clare Brown
Sarah Kelly
Hannah Edwards
Jane Oginsky
Marc Pilcher
Laura Pollock
Natalie Reid

Makeup Designer:
Jenny Shircore

Novel:
Claire Tomalin

Original Music Composer:
Ilan Eshkeri

Post Production Supervisor:
Meg Clark

Producer:
Christian Baute
Carolyn Marks Blackwood
Stewart Mackinnon
Gabrielle Tana

Production Coordinator:
Emma Mallett

Production Design:
Maria Djurkovic

Production Manager:
Polly Hope

Property Master:
Peter Hallam

Rigging Gaffer:
Dan Lowe

Scenic Artist:
Satarupa Bradley

Script Supervisor:
Susanna Lenton

Second Assistant Director:
Ben Howard

Set Costumer:
Wyn Vaughan-Humphreys

Set Decoration:
Tatiana Macdonald

Sound Re-Recording Mixer:
Paul Cotterell

Sound Supervisor:
Danny Sheehan

Steadicam Operator:
Vince McGahon
Roger Tooley

Still Photographer:
David Appleby

Stunt Coordinator:
Rowley Irlam

Stunt Double:
Helen Steinway Bailey

Supervising Art Director:
Nick Dent

Supervising Sound Editor:
Matthew Collinge

Third Assistant Director:
Mark Cockren
Sarah Jean Selway
Toby Spanton

Transportation Captain:
David Rosenbaum

Unit Manager:
Tobin Hughes

Unit Publicist:
Claire Gascoyne
Jonathan Rutter

Visual Effects Producer:
Shanaullah Umerji
Meg Guidon

Visual Effects Supervisor:
Paul Norris

Writer:
Abi Morgan

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.