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It's a Wonderful Knife (2023) [R]

Release Date:
November 10, 2023

Original Title:
It's a Wonderful Knife

Genres:
Comedy | Horror

Production Companies:
Divide / Conquer
Fourth Culture Films

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  ES: 16  PL: 16  TW: 15+  US: R 

Runtime: 87

This Christmas, your wishes will come true... and your nightmares too.

Overview from TheMovieDB

Winnie's life is less than wonderful one year after saving her town from a psychotic killer on Christmas Eve. When she wishes she was never born, she finds herself magically transported to a nightmarish parallel universe. With the murderous maniac now back, she must team up with a misfit to identify the culprit and get back to her own reality.

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Trailer

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Performers

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Production

"A" Camera Operator:
Kenneth Lau

Additional Colorist:
So Young Park

Art Direction:
Louisa Birkin

Assistant Costume Designer:
Nikola Stojisavljevic

Assistant Director Trainee:
Kaldy Blanchard

Assistant Location Manager:
Serena England

Assistant Property Master:
Charlie Csontos

Assistant Sound Editor:
Vaughn Wagner

Associate Producer:
Ashley Renders

Boom Operator:
Nathan Addie Quinn

Casting:
Judy Lee
Barbara J. McCarthy

Casting Assistant:
Maia Michaels

Co-Producer:
Jensine Carr
Matt Drake

Colorist:
David Tomiak

Costume Design:
Matea Pasaric

Costume Set Supervisor:
Sophia Cossentine

Dialogue Editor:
Sharon Tseng

Director:
Tyler MacIntyre

Director of Photography:
Nicholas Piatnik

Dolly Grip:
Ron Liu

Editor:
Arndt-Wulf Peemöller

Executive Producer:
Greg Gilreath
Adam Hendricks
Mark Ward
Steffen Wild
Kevin McGrail
Sarah Lebutsch
Marc Hofstatter

Extras Casting:
Laurie Pavon Solis

First Assistant "A" Camera:
Jana Treptow

First Assistant Director:
Chad Belair
Yannick Leray

First Assistant Hairstylist:
Sandra Mackenzie

Foley Artist:
Beqa Turashvili

Foley Editor:
Levan Tserediani
Dachi Abesalashvili

Foley Mixer:
Joni Amiranashvili

Foley Supervisor:
Alexander Sanikidze

Gaffer:
Gareth Jones

Grip:
Logan McBratney
Fraser Lamb

Hair Designer:
Shelly Jensen

Key Grip:
Elijah Zimmerman

Key Hair Stylist:
Shelly Jensen
Cristina Campoy

Key Makeup Artist:
Xander Chen

Line Producer:
Amanda Verhagen

Location Manager:
Arthur Amson

Makeup Department Head:
Miel Enage

Music Supervisor:
Michael Perlmutter

Online Editor:
Tom Malenica

Original Music Composer:
Russ Howard III

Post Production Supervisor:
Matt Drake
Melissa Ziefflie

Producer:
Seth Caplan
Michael Kennedy
Daniel Bekerman

Production Coordinator:
Jon Warne

Production Design:
Tiana P. Gordon

Production Manager:
David S. Fullerton

Production Supervisor:
Nach Dudsdeemaytha

Property Master:
Jason Arkell-Boles

Script Supervisor:
Jecca Hrechka

Second Assistant "A" Camera:
Lindsay Dakin

Second Assistant Director:
David Thomson
Trevor Zurkan

Set Decoration:
Matt Carson

Set Dresser:
Oscar Yeung
Tye Lesueur
Isobel Baker-Smith
Jan Sikora

Set Dressing Buyer:
Madison Stenner

Sound Designer:
Parker Bossley

Sound Editor:
Hugh Wielenga
Sharon Tseng

Sound Mixer:
Shawn Miller

Sound Re-Recording Mixer:
Matt Drake

Special Effects Assistant:
Don Besse

Special Effects Coordinator:
Kyle T. Moore

Special Effects Makeup Artist:
Nikki Delong

Still Photographer:
Belen Garcia
Angel Lynne

Storyboard Artist:
Joshua Lam

Stunt Coordinator:
Yusuf Ahmed

Stunt Double:
Cody Laudan
Holly Racynski
Curtis Bracconnier
Matt Kennedy
Seth Jacob Armstrong
Shawn Robidoux
Andrew Long

Supervising Sound Editor:
Matt Drake

Third Assistant Director:
Jill Wilson

Title Designer:
Al Heck

Truck Supervisor:
Veronica Forth

VFX Artist:
Brandon Christensen
Kevin Shawley
Byron Q
Tony Copolillo

Writer:
Michael Kennedy

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.