A work in constant progress (and occasional regress).
Release Date:
October 4, 2008
Original Title:
Historias extraordinarias
Alternate Titles:
Opowieści niezwykłe
Чрезвычайные истории
Genres:
Drama
Production Companies:
El Pampero Cine
I.Sat
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 242
X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.
Additional Director of Photography:
Lucio Bonelli
Soledad Abot Glenz
Martín Mohadeb
Julián Apezteguia
Soledad Rodríguez
Art Direction:
Laura Caligiuri
Assistant Director:
Laura Citarella
Tomás Binder
Alejandro Fadel
Color Grading:
Alejo Moguillansky
Costume Designer:
Sofía Stamatio
Ana Cambre
Director:
Mariano Llinás
Director of Photography:
Andrés Mendilaharzu
Ignacio Masllorens
Editor:
Alejo Moguillansky
Agustín Rolandelli
Graphic Designer:
Agustina Picasso
Manuel Mendanha
Andrés Mendilaharzu
Paula Erre
Juliana Laffitte
Original Music Composer:
Gabriel Chwojnik
Producer:
Laura Citarella
Production Director:
Verónica Cipriota
Screenplay:
Mariano Llinás
Sound:
Nicolás Torchinsky
Rodrigo Sánchez Mariño
Sound Recordist:
Esteban Perroud
Luciano Moreno
Special Effects:
Christian Souto
Technical Advisor:
Andrés Toro
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.