A work in constant progress (and occasional regress).
Release Date:
November 15, 2000
Original Title:
For the Cause
Alternate Titles:
Final Encounter
Future Troopers
Mahites horis aitia
Por la causa
Warhammer
Warhammer: The Ultimate Wargame
Genres:
Science Fiction
Production Companies:
Dimension Films
Grand Design Entertainment
Martien Holdings A.V.V.
Nu Image
Production Countries:
United States of America
Ratings / Certifications:
DE: 16
Runtime: 100
Earth is in a state of constant war and two colonies of humans have been sent to a far away world. The colonists create a new civilization but have inherited the worst traits of their forebears and war breaks out leaving the new cities in ruins. It falls to a bunch of teens to bring peace to the colony - but will they?
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Art Direction:
Anastas Yanakyev
Assistant Director:
Shelly Varod
Camera Operator:
Yaroslav Yachew
Casting:
Elisa Goodman
Abra Edelman
Co-Producer:
David Varod
Costume Design:
Sonya Despotova
Director:
David Douglas
Tim Douglas
Director of Photography:
Adolfo Bartoli
Editor:
Irit Raz
Executive Producer:
Danny Dimbort
John Thompson
Trevor Short
Danny Lerner
Avi Lerner
First Assistant Director:
Franklin A. Vallette
Hairstylist:
Rositsa Tsanovska
Makeup Artist:
Ivon Ivanova
Music:
Kevin Memley
Producer:
Boaz Davidson
Production Design:
Carlos Silva Da Silva
Second Second Assistant Director:
Angelina Marinova
Set Decoration:
Valentina Mladenova
Sound Re-Recording Mixer:
Paul Ratajczak
Jonathan Wales
Sound Supervisor:
David Kitchens
Paul Ratajczak
Special Effects:
Jannie Wienand
Stunt Coordinator:
Jannie Wienand
Stunts:
Dian Hristov
Supervising Sound Editor:
Richard C. Franklin
Utility Stunts:
Stanimir Stamatov
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.