A work in constant progress (and occasional regress).
Release Date:
May 24, 2023
Original Title:
Dzień Matki
Alternate Titles:
Mother's Day
היום של אמא
Genres:
Thriller
Production Companies:
Akson Studio
Chimney Poland
Łódzkie Centrum Filmowe
Production Countries:
Poland
Ratings / Certifications:
ES: 16 FR: 16 KR: 18 PL: 16 RO: 18 SG: R21 TR: 18+ US: R
Runtime: 94
Nina, a former NATO special operations agent living in hiding, has to use all her deadly skills to rescue her son who has been kidnapped by ruthless gangsters. Finding Max is a double opportunity for her. A chance to feel the adrenaline rush again, and an opportunity to get back into the life of the son she had to abandon years ago.
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Acting Double:
Joanna Różańska
Paweł Jusiński
Klara Kłoczyńska
Michał Michalski
Michał Burdan
Jarosław Golec
Damian Majewski
Administration:
Małgorzata Witkowska
Animation:
Tomasz Witkowski
Assistant Costume Designer:
Piotr Czupryn
Assistant Director:
Tomasz Niemiec
Assistant Makeup Artist:
Ewa Błach
Assistant Production Design:
Rafał Pastuszek
Best Boy Lighting Technician:
Paweł Dębowski
Camera Car:
Norbert Możdżyński
Kacper Zieba
Karol Pupiec
Camera Operator:
Jacek Podgórski
Sławomir Bergański
Camera Technician:
Łukasz Mergner
Casting Associate:
Gniewko Falana
Casting Director:
Paulina Krajnik
Catering:
Kamil Owsiński
Łukasz Markwat
Natalia Salamonik
Choreographer:
Anna Jujka
Compositing Lead:
Tomasz Tejchman
Costume Design:
Marta Ostrowicz
Data Management Technician:
Krzysztof Golon
Digital Intermediate:
Jakub Sokołowski
Director:
Mateusz Rakowicz
Director of Photography:
Jacek Podgórski
Editor:
Sebastian Mialik
Executive Producer:
Małgorzata Fogel-Gabryś
Grip:
Paweł Sudy
Marcin Wieczorek
Konrad Obrębalski
Cezary Jerzy Barbaś
Interior Designer:
Hanna Wójcikowska-Szymczak
Key Grip:
Norbert Możdżyński
Roman Drózda
Line Producer:
Bartosz Ślepowron-Wyrzykowski
Makeup Department Head:
Ewa Szwed
Master Lighting Artist:
Artur Łapot
Modeling:
Tomasz Witkowski
Music:
Natalia Zamilska
Music Consultant:
Jakub Kaczmarek
Patrycja Bukowska
Post-Production Manager:
Martyna Korablewska-Szpetmańska
Producer:
Jan Kwieciński
Production Design:
Marianna Mikołajczak-Lisiecka
Production Manager:
Bartosz Ślepowron-Wyrzykowski
Props:
Robert Zaremba
Public Relations:
Katarzyna Zielińska
Pyrotechnician:
Bartosz Rośczak
Krzysztof Buczek
Arkadiusz Rośczak
Script:
Renata Gałuszka
Joanna Dzyr
Second Unit Director:
Kacper Lisowski
Second Unit Director of Photography:
Kacper Lisowski
Sound:
Jan Moszumański
Jakub Kozłowski
Mateusz Adamczyk
Natalia Sikorska
Bartosz Putkiewicz
Sebastian Witkowski
Sound Editor:
Bartosz Putkiewicz
Sebastian Witkowski
Julia Nalepa
Katarzyna Kowalczyk
Natalia Sikorska
Olga Zalewska
Mateusz Adamczyk
Steadicam Operator:
Marcin Guzak
Still Photographer:
Bartosz Mrozowski
Storyboard:
Jan Topczewski
Stunt Coordinator:
Jarosław Golec
Stunts:
Norbert Możdżyński
Paweł Jusiński
Damian Majewski
Joanna Różańska
Łukasz Czubak
Michał Pluskota
Maria Szczepankiewicz
Filip Bucki
Artur Grabowiec
Michał Michalski
Grzegorz Omański
Anastazja Kłoczyńska
Piotr Popko
Michał Burdan
Title Designer:
Piotr Dismas Zdanowicz
Translator:
Bozidar Blazevic
Anastasia Yakubenia
VFX Supervisor:
Marcin Drabiński
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.