A work in constant progress (and occasional regress).
Release Date:
January 12, 1990
Original Title:
Internal Affairs
Alternate Titles:
Affari Sporchi
Asuntos sucios
Internal Affairs - Trau' ihm, er ist ein Cop
Sospecha mortal
Wydział wewnętrzny
罪恶档案
Genres:
Crime | Drama
Production Companies:
Image Organization
Malofilm
Out of the Town Films
Paramount Pictures
Production Countries:
Canada | United States of America
Ratings / Certifications:
AU: M CH: 18 DE: 18 FR: 12 GB: 18 HU: 18 IE: 18 RO: 18 US: R
Runtime: 115
Keen young Raymold Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila.
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ADR Supervisor:
Devon Heffley Curry
Art Direction:
Nicholas T. Preovolos
Michael Costanza
Assistant Chief Lighting Technician:
Mark A. Shelton
Assistant Costume Designer:
Beverly Kline
Assistant Editor:
Craig Galloway
Assistant Hairstylist:
Chris Rubel
Lelis A. Arroyo
Assistant Location Manager:
Les Godwin
Assistant Property Master:
Jean Visciglia
Assistant Sound Editor:
Bruce Foster
Associate Producer:
Pam O'Har
Mara Trafficante
Best Boy Electric:
Jesse Tango
Best Boy Grip:
Ric Urbauer
Boom Operator:
Glenn E. James
Tom Caton
Camera Operator:
Pernell Youngblood Tyus
Carpenter:
Doug Crawford
Kevin Predieri
Mark Wieringa
Casting:
Shani Ginsberg
Carrie Frazier
Co-Producer:
David Streit
Color Timer:
Bob Noland
Construction Coordinator:
Patrick H. Finnegan
Costume Design:
Rudy Dillon
Costume Supervisor:
Libby Jacobs
Director:
Mike Figgis
Director of Photography:
John A. Alonzo
Dolly Grip:
Mike Connors
Editor:
Robert Estrin
Electrician:
James Reischling
Jesus J. Tango Jr.
Dean Welch
Executive Producer:
René Malo
Pierre David
First Assistant Camera:
Horace Jordan
Gary D. Scott
First Assistant Director:
J. Stephen Buck
First Assistant Editor:
Tracy Granger
Foley Artist:
Jeffrey Wilhoit
Gaffer:
Rick A. West
Hairstylist:
Nina Paskowitz
Leadman:
Ronald E. Hairston
Location Manager:
David L. Wolfson
Makeup Artist:
Julie Purcell
Music:
Brian Banks
Music Editor:
Christopher Kennedy
Orchestrator:
Anthony Marinelli
Original Music Composer:
Mike Figgis
Anthony Marinelli
Post Production Coordinator:
Jon Kuyper
Producer:
Frank Mancuso Jr.
Production Coordinator:
Harlan M. Freedman
Production Design:
Waldemar Kalinowski
Production Supervisor:
Vikki Williams
Property Master:
Glenn M. Carrere
Robert J. Visciglia Sr.
Rigging Grip:
Darrell B. Sheldon
Scenic Artist:
Genevieve M. Lorick
Script Supervisor:
Sharron Reynolds-Enriquez
Second Assistant Camera:
Gregory W. Smith
Second Assistant Director:
Cellin Gluck
Chris Auer
Second Unit Director:
Gary Hymes
Second Unit Director of Photography:
Michael Ferris
Set Decoration:
Florence Fellman
Set Designer:
Clare Scarpulla
Sound Editor:
Chester Slomka
Pieter Hubbard
Hal Sanders
Elliott Koretz
Sound Mixer:
David Brownlow
Sound Re-Recording Mixer:
Bob Beemer
Greg P. Russell
Donald O. Mitchell
Still Photographer:
Luke Wynne
Stunt Coordinator:
Gary Hymes
Stunts:
Rick LeFevour
Lisa Cain
Rick Avery
Gene LeBell
Supervising Sound Editor:
Gary S. Gerlich
Title Designer:
Dan Perri
Transportation Captain:
Jon Reeves
Transportation Coordinator:
Perry Husman
Unit Production Manager:
Lisa Hackett
Writer:
Henry Bean
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.