A work in constant progress (and occasional regress).
Release Date:
December 19, 1960
Original Title:
La paz empieza nunca
Genres:
Drama
Production Companies:
Compañía Industrial Film Español S.A. (CIFESA)
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 118
Inspired by the classic novel by journalist and writer Emilio Romero. Shortly before the outbreak of the Spanish Civil War (1936-1939), a group of Phalangist friends, who dream of a revolution to transform Spain, are dedicated to spreading their ideas among the population. As war begins, one of them, Lopez, is about to be shot, but is saved by a Republican. Then he joins the national side. After the war, an old comrade encourages him to involve in an operation to destroy the maquis of Asturias. Although he is married and has children, he accepts the proposal, infiltrates among the guerrillas and convinces them that he will provide weapons to continue fighting.
Assistant Camera:
Raúl Pérez Cubero
Assistant Director:
Manuel de la Cueva
Assistant Editor:
María Carmen Ripoll
Assistant Makeup Artist:
Manolita Castro
Assistant Set Decoration:
Jaime Pérez Cubero
Camera Operator:
César Benítez
Costume Design:
Humberto Cornejo
Director:
León Klimovsky
Director of Photography:
Ricardo Torres
Editor:
Antonio Gimeno
Focus Puller:
José Climent
Hairstylist:
Julián Ruiz
Makeup Artist:
María Luisa de la Torre
Music:
Cristóbal Halfter
Novel:
Emilio Romero
Producer:
Jesús Sáiz
Production Assistant:
Alfonso Losada
Rafael Cuevas
Production Manager:
Enrique Rivas
Production Secretary:
Maruja Sanz
Screenplay:
Emilio Romero
Set Decoration:
José Algueró
Settings:
Francisco Prósper
Sound Editor:
Francisco Mansó
Still Photographer:
Manuel Martínez
Writer:
Domingo Almendros
Jesús Sáiz
Enrique Domínguez Millán
León Klimovsky
Leonardo Martín
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.