A work in constant progress (and occasional regress).
Release Date:
February 10, 1995
Original Title:
Billy Madison
Genres:
Comedy
Production Companies:
Jack Giarraputo Productions
Robert Simonds Productions
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M CA: G DE: 6 GB: 12 NO: 11 US: PG-13
Runtime: 90
Billy Madison is the 27 year-old son of Bryan Madison, a very rich man who has made his living in the hotel industry. Billy stands to inherit his father's empire, but only if he can make it through all 12 grades, 2 weeks per grade, to prove that he has what it takes to run the family business.
"B" Camera Operator:
Keith Murphy
ADR Mixer:
Jeff Courtie
David Novack
Darcy Kite
ADR Recordist:
Barbara McCart
Bobby Johanson
Ian Rankin
Art Direction:
Gordon Barnes
Assistant Accountant:
Susan Starre McKibbin
Nick Kontsalakis
Assistant Costume Designer:
Susan MacLeod
Assistant Location Manager:
Eardley Wilmot
Assistant Production Coordinator:
Anne Paynter
Assistant Sound Editor:
Michelle Pleis
Associate Producer:
Jack Giarraputo
Best Boy Electric:
Michael Galbraith
Best Boy Grip:
Malcolm Nefsky
Boom Operator:
Robert Scherer
Camera Operator:
Harald Ortenburger
Casting:
Deirdre Bowen
Jaki Brown
Todd M. Thaler
Choreographer:
Clarence Ford
Construction Coordinator:
Phillip Tellez
Costume Design:
Marie-Sylvie Deveau
Dialogue Editor:
Susan Dudeck
Ulrika Akander
Alison Fisher
Director:
Tamra Davis
Director of Photography:
Victor Hammer
Driver:
Matt Wladyka
Dean Witthun
Joe Vechiola
Doug Perry
Lorne Frederick
Norman Foster
Wally Dibacco
Pat Brennan
Ken Barbet
Editor:
John Gilroy
Jeffrey Wolf
Electrician:
Brian Montague
Gary Deneault
Don Caulfield
Executive Producer:
Fitch Cady
Extras Casting:
Donna Dupere
First Assistant Camera:
Thom Ryan
First Assistant Director:
Martin Walters
First Assistant Editor:
Charlene Olson
First Assistant Sound Editor:
Jeanine Payne
Foley Artist:
Hilda Hodges
John Roesch
Foley Editor:
Jonathan Klein
Christopher Flick
Foley Mixer:
Mary Jo Lang
Foley Recordist:
Carolyn Tapp
Gaffer:
Steve Ferrier
Grip:
Ron Renzetti
Fabian MacDonald
Tracy Shaw
Bob O'Connor
Hairstylist:
Carol Davidson
Key Grip:
Mark Manchester
Key Hair Stylist:
Kelly Brennan
Key Makeup Artist:
Edelgard K. Pfluegl
Leadman:
Dan Wladyka
Location Manager:
Brian Campbell
Makeup Artist:
Mary-Lou Green-Benvenuti
Music Editor:
Sally Boldt
John LaSalandra
Music Supervisor:
Ralph Sall
Orchestrator:
Ralph Ferraro
Original Music Composer:
Randy Edelman
Producer:
Robert Simonds
Production Accountant:
Lyn Lucibello
Production Coordinator:
Whitney Brown
Production Design:
Perry Andelin Blake
Property Master:
J. Tracy Budd
Prosthetics:
Gary Archer
Script Supervisor:
Sylvie Chesneau
Second Assistant Camera:
Dean Stinchcombe
Second Assistant Director:
David Vaughan
Second Second Assistant Director:
Louise Renault
Set Buyer:
Tom Coulter
Set Decoration:
Enrico Campana
Sound Effects Editor:
John Edwards-Younger
John Joseph Thomas
Sound Mixer:
Allan Byer
Sound Re-Recording Mixer:
Andy Nelson
Scott Millan
Anna Behlmer
Special Effects:
Jordan Craig
Steadicam Operator:
Keith Murphy
Still Photographer:
Bruce Macaulay
Stunt Coordinator:
Ted Hanlan
Stunts:
Ted Hanlan
Curtis Parker
Mic Jones
Ron Van Hart
Dwayne McLean
Marco Bianco
Joey Petralito
John Stead
Jamie Jones
Tony Cordeiro
Rebecca Bell
Jonathan Seglins
Supervising Sound Editor:
Kimberly Harris
Jerry Ross
Third Assistant Director:
Rob Fowler
Transportation Captain:
Grant Volkers
Transportation Coordinator:
Don Retzer
Unit Production Manager:
Ross T. Fanger
Unit Publicist:
Jill Jones
Wardrobe Master:
Christopher Hargadon
Writer:
Adam Sandler
Tim Herlihy
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.