A work in constant progress (and occasional regress).
Release Date:
April 7, 1994
Original Title:
Il postino
Alternate Titles:
Der Postmann
El cartero
El cartero (y Pablo Neruda)
Il Postino (The Postman)
Il postino – postiljonen
Le facteur
Listonosz
O Carteiro de Pablo Neruda
O Carteiro e o Poeta
Postmannen
Poștașul
Ο Ταχυδρόμος
Почтальон
イル・ポスティーノ
事先张扬的求爱事件
일 포스티노
Genres:
Comedy | Drama | Romance
Production Companies:
Blue Dahlia Productions
Cecchi Gori
Esterno Mediterraneo Film
K2 Two
Penta Film
Production Countries:
Belgium | France | Italy
Ratings / Certifications:
CZ: U FR: U KR: 15 NL: 6 PT: M/12 US: PG
Runtime: 109
Simple Italian postman learns to love poetry while delivering mail to a famous poet; he uses this to woo local beauty Beatrice.
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Assistant Camera:
Ernesto Natoli
Assistant Editor:
Rita Triunveri
Lidia Pascolini
Assistant Production Design:
Laura Casalini
Boom Operator:
Ettore Mancini
Camera Operator:
Stefano Coletta
Co-Director:
Massimo Troisi
Costume Design:
Gianna Gissi
Director:
Michael Radford
Director of Photography:
Franco Di Giacomo
Editor:
Roberto Perpignani
Electrician:
Valerio Garzia
Alberto Altibrandi
Rolando Marcheggiani
Giancarlo Bachetti
Executive Producer:
Alberto Passone
First Assistant Director:
Gaia Gorrini
Grip:
Elio Bosi
Piero Bosi
Hair Department Head:
Ferdinando Merolla
Key Makeup Artist:
Alfredo Marazzi
Simone Marazzi
Léone Noël
Novel:
Antonio Skármeta
Original Music Composer:
Luis Bacalov
Producer:
Mario Cecchi Gori
Gaetano Daniele
Vittorio Cecchi Gori
Production Design:
Lorenzo Baraldi
Production Manager:
Vincenzo Testa
Screenplay:
Massimo Troisi
Michael Radford
Script Supervisor:
Elide Cortesi
Second Assistant Director:
Stefano Veneruso
Sound:
Massimo Loffredi
Sound Editor:
Ezio Marcorin
Sound Effects:
Paolo Amici
Tullio Arcangeli
Giulio D'Angeli
Saverio Lancia
Ezio Marcorin
Daniele Masini
Augusto Penna
Roberto Sterbini
Sound Mixer:
Angelo Raguseo
Sound Supervisor:
Alessandra Perpignani
Story:
Furio Scarpelli
Giacomo Scarpelli
Stunt Double:
Gerardo Ferrara
Unit Manager:
Raffaele Veneruso
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.