A work in constant progress (and occasional regress).
Release Date:
December 25, 2024
Original Title:
O Auto da Compadecida 2
Alternate Titles:
A Dog's Will 2
The Rogue's Trial
Genres:
Comedy | Drama
Production Companies:
Conspiração Filmes
H2O Films
Production Countries:
Brazil
Ratings / Certifications:
BR: 12
Runtime: 114
After 20 years missing, João Grilo returns to Taperoá to join his old friend Chicó and, after his story of resurrection spreads, he is disputed as an electoral candidate by the two most powerful politicians in the city.
"A" Camera Operator:
Mario Franca
"B" Camera Operator:
Mustapha Barat
Additional Director of Photography:
Mario Franca
Art Direction:
Yurika Yamasaki
Associate Producer:
Selton Mello
Matheus Nachtergaele
Casting:
Alonso Zerbinato
Co-Executive Producer:
Marcos Penido
Adriana Basbaum
Co-Producer:
Renata Brandão
Juliana Capelini
Colorist:
Pedro Saboya
Continuity:
Fernanda Colin
Costumer:
Emilia Duncan
Delegated Producer:
Rose Soares
Director:
Flávia Lacerda
Guel Arraes
Director of Photography:
Gustavo Hadba
Editor:
Fábio Jordão
Executive Producer:
Tania Pacheco
Claudio Peralta
Carolina Jabor
First Assistant Camera:
Flávio Chacal Geromel
First Assistant Director:
Renata Schiavini
Maria Fernanda Corrêa
Makeup Artist:
Rosemary Paiva
Original Music Composer:
Ricco Viana
João Falcão
Producer:
Guel Arraes
Edson Pimentel
Pedro Buarque de Hollanda
Sandro Rodrigues
Researcher:
Miriam Struz
Screenplay:
Guel Arraes
João Falcão
Second Assistant Director:
Kat Carvalho
Elisa Passos
Sound Editor:
João Jabace
Luís Rodrigues
Sound Mixer:
João Jabace
Luís Rodrigues
Theatre Play:
Ariano Suassuna
Third Assistant Director:
Giulia Costa
Felipe Alves
Pedro Vannucci
Visual Effects Supervisor:
Claudio Peralta
Writers' Assistant:
Jorge Furtado
Adriana Falcão
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.