Home

Combat (2006) [N/A]

Release Date:
February 16, 2006

Original Title:
Combat

Genres:
Drama

Production Companies:
Thank You & Good Night Productions

Production Countries:
Belgium

Ratings / Certifications:
 N/A

Runtime: 57

Overview from TheMovieDB

Told in three parts, Patrick Carpentier's "The Irregularity of the tearing" is a three part cine-diary on intimacy, sensuality and desire. Part one, "God is a Dog" (2004) is shot on Super 8 and confronts the film makers remembrances of childhood memories and how they interact with his adult love encounters. Section two, "Les 9 mardis" (The 9 Tuesdays) (2005) deals with the absurdity of the passage of time. Time that reopens and closes past wounds, time the provides the courage to continue. The final installment is "Combat," winner of the 2006 Berlin Teddy Award for best gay film. The tale of two young men both deeply in love who can only express their feelings through acts of physical violence committed upon each other. Full moons and lush forests frame this deeply felt and moving love story between two beautiful, youthful men.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Assistant Production Manager:
Frederic Arends

Director:
Patrick Carpentier

Director of Photography:
Colin Lévêque

Editor:
Méline Van Aelbrouck

Makeup Artist:
Georges Boschloos

Producer:
Geneviève De Bauw

Screenplay:
Patrick Carpentier

Sound Mixer:
Peter Soldan

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.