A work in constant progress (and occasional regress).
Release Date:
February 7, 2013
Original Title:
Side Effects
Alternate Titles:
Acı Reçete
Blakusefekts
Dosis mortal
Efecte adverse
Efectos colaterales
Efectos secundarios
Efeitos Secundários
Effets secondaires
Effetti collaterali
Kõrvalmõjud
Mellékhatások
Neželjena dejstva
Nuspojave
Panaceum
Parenergeies
Salutinis poveikis
Side Effects - Tödliche Nebenwirkungen
Terapia de Risco
Terapia de riesgo
The Bitter Pill
Tofaot levai
Vedlejsí úcinky
Vedľajšie účinky
Yan Etkiler
Παρενέργειες
Побочный эффект
Побічний ефект
Побічні дії
Странични ефекти
サイド・エフェクト
副作用
藥命關係
谜离药谎
Genres:
Crime | Drama | Thriller
Production Companies:
Endgame Entertainment
di Bonaventura Pictures
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AU: MA15+ BR: 14 CA: 14A DE: 12 DK: 15 ES: 12 GB: 15 GR: Κ-15 HK: III HU: 16 éven aluliak számára nem ajánlott IE: 15A JP: R15+ KR: 18 LT: N-16 MX: B-15 NL: 12 PT: M/16 SE: 15 SG: M18 TW: 12+ US: R
Runtime: 106
A woman turns to prescription medication as a way of handling her anxiety concerning her husband's upcoming release from prison.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Department Coordinator:
Sheyam Ghieth
Art Direction:
Miguel López-Castillo
Assistant Art Director:
Barbra Matis
Anne Goelz
Assistant Costume Designer:
Amy Ritchings
Assistant Property Master:
Jill Alexander
Best Boy Electric:
Rocco Palmieri
Best Boy Grip:
Bob Izzo
Boom Operator:
Alfredo Viteri
Camera Operator:
Patrick B. O'Brien
Carpenter:
Fred Piesco
Paul Divone
Christopher Rovira
Paul Fletcher
Casting:
Carmen Cuba
Casting Associate:
Wittney Horton
Color Timer:
Dan Muscarella
Construction Coordinator:
Pierre Rovira
Construction Grip:
Steve Gallo
Kurt Rimmel
Bruce Jordan
Costume Design:
Susan Lyall
Costume Supervisor:
Pashelle L. Latino
Dialect Coach:
Howard Samuelsohn
Dialogue Editor:
Matt Coby
Aaron Glascock
Digital Intermediate:
David Rosenthal
Bill Schultz
John Nicolard
Digital Intermediate Colorist:
John Daro
Digital Intermediate Editor:
Philip Beckner
Digital Intermediate Producer:
Paul Lavoie
Director:
Steven Soderbergh
Director of Photography:
Steven Soderbergh
Dolly Grip:
Rob Agredo
Editor:
Steven Soderbergh
Electrician:
Sean McCardell
Bob Gambardella
Scott Maher
Executive Producer:
Douglas Hansen
Adi Shankar
Spencer Silna
First Assistant Director:
Gregory Jacobs
First Assistant Editor:
Corey Bayes
Foley:
Alicia Stevenson
Dawn Fintor
Foley Editor:
Billy Theriot
Foley Mixer:
Scott Curtis
Gaffer:
Peter Walts
Genetator Operator:
Michael Fradianni
Graphic Designer:
Holly Watson
Hair Department Head:
Kerrie Smith
Key Carpenter:
John J. Ciccimarro
Key Construction Grip:
Charlie Price
Key Grip:
John Joseph Minardi
Key Hair Stylist:
Michelle Johnson
Key Makeup Artist:
Tania Ribalow
Key Rigging Grip:
John McEnerney
Leadman:
Dick Tice
Location Coordinator:
Brittany Rostron
Location Manager:
Robert T. Striem
Makeup Artist:
Cassandra Saulter
Makeup Department Head:
Nicki Ledermann
Music Editor:
Bill Bernstein
Original Music Composer:
Thomas Newman
Producer:
Scott Z. Burns
Gregory Jacobs
Lorenzo di Bonaventura
Production Design:
Howard Cummings
Property Master:
Daniel Fisher
Brad Einhorn
Rigging Gaffer:
Kevin Murphy
Screenplay:
Scott Z. Burns
Script Supervisor:
Eva Z. Cabrera
Second Assistant Director:
Jody Spilkoman
Set Costumer:
Trenee Clayton
Sandi Figueroa
Set Decorating Coordinator:
Alyssa Motschwiller
Set Decoration:
Rena DeAngelo
Set Dresser:
Martin Connelly
Nick Ferrara
Sound Re-Recording Mixer:
Larry Blake
Special Effects Coordinator:
Conrad V. Brink Jr.
Still Photographer:
Barry Wetcher
Stunt Coordinator:
G. A. Aguilar
Stunt Double:
Nikki Brower
Stunts:
Blaise Corrigan
Josh Lakatos
Christopher Place
Stephen A. Pope
Declan Mulvey
Victor Paguia
Derrick Simmons
Chris Cenatiempo
Supervising Sound Editor:
Larry Blake
Tailor:
Olivia Barrand
Visual Effects Supervisor:
Thomas J. Smith
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.