A work in constant progress (and occasional regress).
Original Title:
The Duck Magic
Genres:
Comedy | Horror
Production Companies:
Pelita Sumber Karya
Ratings / Certifications:
N/A
Actor's Assistant:
Azzahra Uswatun
Muhammad Fawwas
Elfina Mukarramah
Art Department Assistant:
Rahman Maulana
Regina Advenia
Ahmad Khafid M.
Viriya Dwi Kumara
Best Boy Lighting Technician:
Andi Hakim Pradana
Boom Operator:
Lutfi Bukhari
Clapper Loader:
Rana Athiyyah Rizasty
Co-Writer:
Badra Andhipani Jagat
Colorist:
Bayu Supriyanto
Continuity:
Alzahra Nurul Putri Maharani
Costume Set Supervisor:
Bernadetta Rahel Anggun Hernida
Digital Imaging Technician:
Khaerul Anwar M.
Director:
Badra Andhipani Jagat
Director of Photography:
Bayu Supriyanto
Driver:
Muhammad Faiq Al Qorni
Viriya Dwi Kumara
Editor:
Harbi Sanif
First Assistant Camera:
Yosef Bergas Rosarianto
First Assistant Director:
M. Alam Alghifari
Foley Artist:
Restu Cahya Apendi
Gaffer:
Muhammad Fadhilah Umar
Lighting Artist:
Rakha Vanzayro
Lighting Coordinator:
Narendra Satrio
Lighting Technician:
M. Duta Mahdiny
Line Producer:
David Yosafat Yoel
Location Manager:
Arlan Febriansyah
Makeup & Hair:
Puja Saing
David Yusfi
Music Director:
Mario Silvester Usfinit
Producer:
Andi Risdianto
David Yosafat Yoel
Production Design:
Novita Sari
Production Driver:
Harbi Sanif
Production Runner:
Shohipul Ma'ruf
Production Sound Mixer:
Aflah Rahmat Winanda
Second Assistant Camera:
Rizky Shahrur Ramadhan
Second Assistant Director:
Silvester Rangga Putra
Set Supervisor:
Akbar Maulana
Sound Designer:
Aflah Rahmat Winanda
Still Photographer:
Juni Alfizar
Yolanda Vinia
Unit Production Manager:
Andi Risdianto
VFX Supervisor:
Nafa Faruq Adani
Wardrobe Assistant:
Dinda Ayu Dwi Septiaresty
Humaira Annisa
Writer:
Lutfi Bukhari
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.