asfelt (2022) [N/A]

Release Date:
April 26, 2022

Original Title:
asfelt

Genres:
Documentary

Production Companies:
studio reisalte

Production Countries:
Philippines

Ratings / Certifications:
 N/A

Runtime: 4

Lockdown had deprived us of physical connections. In the distances between us lay textures so different from the soft and warm human touch that we longed for. Instead, I felt more conscious of the stretches of forlorn asphalt that had to be traversed as well as the rusted gates and moldy walls that actively prevented us from doing that. The combination of separate still photography creates an intense and isolated look at these harsh textures frame by frame. The continuity harnessed ends up with a disjointed and off-beat sense of movement across it. One could think of a stretch of road as a reel of film, yet the frames of road presented here were not composed to merely move in one smooth direction. I wanted the textures to express listlessness at times. I hope that the blistering cuts create exhilarating motions that become overwhelming to the point of its abstraction.

Additional information:

The Search Form


Cinematography:
Red Sales

Director:
Red Sales

Editor:
Red Sales

Producer:
Red Sales

Sound Designer:
Red Sales

Writer:
Red Sales

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.