A work in constant progress (and occasional regress).
Release Date:
December 23, 1952
Original Title:
Moulin Rouge
Alternate Titles:
물랑 루즈
Genres:
Drama
Production Companies:
Romulus Films
United Artists
Production Countries:
United Kingdom
Ratings / Certifications:
AT: 12 DE: 12 HU: 16 NL: 6 US: NR
Runtime: 119
Born into aristocracy, Toulouse-Lautrec moves to Paris to pursue his art as he hangs out at the Moulin Rouge where he feels like he fits in being a misfit among other misfits. Yet, because of the deformity of his legs from an accident, he believes he is never destined to experience the true love of a woman. But that lack of love in his life may change as he meets two women
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Art Direction:
Paul Sheriff
Assistant Director:
Adrian Pryce-Jones
Associate Producer:
Jack Clayton
Boom Operator:
Kevin McClory
Camera Operator:
Freddie Francis
Camera Technician:
Ian Craig
Choreographer:
William Chappell
Continuity:
Angela Allen
Costume Design:
Schiaparelli
Marcel Vertès
Costume Supervisor:
Julia Squire
Dialogue Coach:
Elsie Foulstone
Director:
John Huston
Director of Photography:
Oswald Morris
Editor:
Ralph Kemplen
Hairdresser:
Eileen Bates
Lyricist:
Paul Dehn
Jacques Larue
Makeup Artist:
Connie Reeve
Music Director:
Lambert Williamson
Novel:
Pierre La Mure
Original Music Composer:
Georges Auric
Other:
Eliot Elisofon
Robert Hessens
Joan Bridge
Producer:
John Huston
Production Design:
Marcel Vertès
Production Manager:
Leigh Aman
Screenplay:
Anthony Veiller
John Huston
Second Unit Cinematographer:
Cyril J. Knowles
Set Decoration:
Marcel Vertès
Sound Editor:
Eric Wood
Sound Recordist:
A.E. Rudolph
E. Law
Third Assistant Director:
Jack N. Green
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.