A work in constant progress (and occasional regress).
Release Date:
November 22, 2000
Original Title:
Quills
Alternate Titles:
Перо маркиза де Сада
鵝毛筆
Genres:
Drama
Production Companies:
Charenton Productions
Fox Searchlight Pictures
Hollywood Partners
Industry Entertainment Partners
Walrus & Associates
Production Countries:
Germany | United Kingdom | United States of America
Ratings / Certifications:
BR: 16 CH: 16 CZ: 15+ DE: 16 FR: 12 GB: 18 IE: 18 JP: R15+ KR: 18 PT: M/16 RO: 18 US: R
Runtime: 124
A nobleman with a literary flair, the Marquis de Sade lives in a madhouse where a beautiful laundry maid smuggles his erotic stories to a printer, defying orders from the asylum's resident priest. The titillating passages whip all of France into a sexual frenzy, until a fiercely conservative doctor tries to put an end to the fun.
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ADR Editor:
Sue Fox
ADR Voice Casting:
Louis Elman
Art Department Assistant:
Jessie Hepple
Katy Harvey
Art Direction:
Steven Lawrence
Assistant Art Director:
Gavin Fitch
Assistant Costume Designer:
Michael O'Connor
Assistant Dialogue Editor:
Michael Axinn
Assistant Production Coordinator:
Emily Lascelles
Boom Operator:
June Prinz
Camera Trainee:
Sophie Wilson
Casting:
Donna Isaacson
Priscilla John
Clapper Loader:
Sam Barnes
Co-Producer:
Mark Huffam
Construction Buyer:
Richard Lyon
Construction Coordinator:
Michael Redding
Costume Design:
Jacqueline West
Dialogue Editor:
Bruce Lacey
Director:
Philip Kaufman
Director of Photography:
Rogier Stoffers
Draughtsman:
Patricia Johnson
Alastair Bullock
Matthew Gray
Editor:
Peter Boyle
Electrician:
Tony Burns
Robert Brock
Ronnie Phillips
Dean Wilkinson
John Turner
Executive Producer:
Des McAnuff
Sandra Schulberg
Rudolf G. Wiesmeier
First Assistant Director:
Deborah Saban
First Assistant Editor:
Liz Roe
Floor Runner:
Nicholas Du Boulay
Charles Vaughan
Focus Puller:
Jasper Fforde
Foley Editor:
John Verbeck
Genetator Operator:
Alan Grosch
Grip:
Gary Hutchings
Hair Designer:
Peter Swords King
Key Hair Stylist:
Nuala Conway
Key Makeup Artist:
Nuala Conway
Location Manager:
Rachel Neale
Makeup & Hair:
Jeremy Woodhead
Kate Lee
Makeup Designer:
Peter Swords King
Original Music Composer:
Stephen Warbeck
Post Production Accountant:
Sophie Dasic
Producer:
Julia Chasman
Peter Kaufman
Nick Wechsler
Production Coordinator:
Elaine Burt
Production Design:
Martin Childs
Property Master:
Barry Wilkinson
Prosthetic Supervisor:
Conor O'Sullivan
Rigging Gaffer:
Kevin Edland
Scenic Artist:
Doug Bishop
Brian Bishop
Screenplay:
Doug Wright
Script Supervisor:
Sally Jones
Sculptor:
John Blakeley
Second Assistant Director:
Olivia Lloyd
Second Second Assistant Director:
Toby Hefferman
Second Unit Director:
Vic Armstrong
Second Unit First Assistant Director:
Richard Styles
Set Decoration:
Jill Quertier
Sound Effects Editor:
Robert Shoup
Sound Mixer:
John Midgley
Sound Re-Recording Mixer:
Lora Hirschberg
Special Effects Coordinator:
Stuart Brisdon
Special Effects Technician:
John Van Der Pool
Mark Haddenham
Standby Art Director:
Frances Bennett
Standby Carpenter:
Stephen Eels
Standby Painter:
Ray Campbell
Standby Rigger:
Ian Rolfe
Steadicam Operator:
John Ward
Vince McGahon
Still Photographer:
David Appleby
Storyboard Artist:
Martin Asbury
Stunt Coordinator:
Richard Hammatt
Andy Bradford
Jim Dowdall
Nrinder Dhudwar
Stunts:
Jazzer Jeyes
Richard Bradshaw
Tracey Eddon
Sarah Franzl
Neil Finnighan
Supervising Art Director:
Mark Raggett
Supervising Sound Editor:
Frank E. Eulner
Third Assistant Director:
Mari Roberts
Matthew Penry-Davey
Transportation Captain:
Gary Birmingham
Unit Publicist:
Susan d'Arcy
Visual Effects Supervisor:
Tim Field
Wardrobe Assistant:
Helen Mattocks
Wardrobe Master:
Anthony Brookman
Wardrobe Supervisor:
Suzi Turnbull
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.