A work in constant progress (and occasional regress).
Release Date:
October 31, 1997
Original Title:
Switchback
Alternate Titles:
La piste du tueur
Secuestro
Śledztwo nad przepaścią
Genres:
Mystery | Thriller
Production Companies:
Pacific Western
Paramount Pictures
Rysher Entertainment
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 FR: 18 US: R
Runtime: 118
After FBI agent Frank Lacrosse believes his son was kidnapped by a notorious serial killer, he travels to Amarillo, Texas, where he believes the murderer is in hiding. Although officially taken off the case because of its personal significance to him, Frank continues to pursue the killer, causing concern for local sheriff Buck Olmstead. When another victim pops up at a nearby car garage, Frank knows that he is as close as he'll ever be to tracking down the elusive killer.
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"B" Camera Operator:
Peter Jensen
David Luckenbach
David E. Diano
ADR Mixer:
Derek Marcil
ADR Supervisor:
Thomas Jones
Art Direction:
Carl J. Stensel
Assistant Sound Editor:
Sean Fahimian
Jason George
Boom Operator:
Jeffrey A. Humphreys
Camera Loader:
Craig Kohlhoff
Camera Operator:
William D. Barber
Casting:
Pam Dixon
Chief Lighting Technician:
James B. Crawford
Color Timer:
Stephen R. Sheridan
Construction Coordinator:
Ken Scaife
Costume Designer:
Betsy Heimann
Craft Service:
Chris Winn
Dialogue Editor:
Walter Spencer
Louis Creveling
Director:
Jeb Stuart
Director of Photography:
Oliver Wood
Dolby Consultant:
James Wright
Editor:
Conrad Buff IV
Executive Producer:
Keith Samples
Jeb Stuart
Mel Efros
First Assistant "B" Camera:
Joseph Antczak
First Assistant Camera:
Rob Morey
First Assistant Director:
Vincent Lascoumes
Foley Artist:
Catherine Harper
Ellen Heuer
James Moriana
Foley Editor:
Laura Laird
David Mann
Danielle Ghent
Lucy Sustar
Foley Mixer:
Mary Erstad
Hair Supervisor:
Vivian McAteer
Hairstylist:
Kashka Banjoko
Carl Bailey
Makeup Artist:
Diane Hammond
Michael Mills
Makeup Supervisor:
Gerald Quist
Music Editor:
Curtis Roush
Music Supervisor:
Ralph Sall
Original Music Composer:
Basil Poledouris
Producer:
Gale Anne Hurd
Production Design:
Jeffrey Howard
Property Master:
Erik L. Nelson
Screenplay:
Jeb Stuart
Script Supervisor:
Judi Townsend
Second Assistant "B" Camera:
Stephen Sfetku
Second Assistant Camera:
Michael Raspa
Second Assistant Director:
Phil Dupont
Second Second Assistant Director:
Peggy Hughes
Second Unit Director:
Gary Hymes
Set Costumer:
Corey Bronson
Set Decoration:
Dena Roth
Sound Designer:
Cormac Funge
Sound Effects Editor:
Benjamin L. Cook
Dean Hovey
Javier Bennassar
Frank Gaeta
David Melhase
Frederick Howard
Sound Mixer:
David Kelson
Sound Re-Recording Mixer:
Mathew Waters
John Ross
Derek Marcil
Special Effects Coordinator:
Stan Parks
Special Effects Supervisor:
Daniel Sudick
Steadicam Operator:
Peter Jensen
David Luckenbach
Still Photographer:
Melissa Moseley
Stunt Coordinator:
Jeff Habberstad
Stunts:
Keii Johnston
Jim Stephan
Les Larson
Tony Brubaker
Seth Arnett
Myke Schwartz
Jake Lombard
Jophery C. Brown
Jan Michael Shultz
Supervising Dialogue Editor:
David Grant
Supervising Sound Editor:
Gregory M. Gerlich
Transportation Captain:
Douglas Miller
Transportation Coordinator:
John M. Woodward
Unit Production Manager:
Marty P. Ewing
Unit Publicist:
Susan Steinlauf-Pascal
Video Assist Operator:
Bradford Ralston
Wardrobe Supervisor:
Joan Thomas
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.