A work in constant progress (and occasional regress).
Release Date:
December 23, 1977
Original Title:
Pasiáns
Genres:
Drama
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Student Eva is dashing up a steep slope to try to catch a bus, but she twists her ankle and the bus doesn't wait. There won't be another bus until the next day, and so Eva returns to her parents' cottage where she has been studying by herself for several days. She finds the door open, and inside a young man, Dusan, who behaves as if he were at home. Eva is a little scared and so she pretends to be a chance passerby who can't go any further because of her injured ankle. The boy offers her a bed for the night. He also fetches some plum brandy, they drink toasts to each other, and Eva starts to play Patience.
Assistant Camera:
Michal Hvozdák
Assistant Director:
Jaroslava Fišerová
Robert Vacík
Assistant Editor:
Alena Chvojková
Assistant Production Design:
Michal Krška
Assistant Production Manager:
Miloslav Černohlávek
Camera Operator:
Kamil Kadeřábek
Clapper Loader:
Stanislava Kadlecová
Conductor:
František Belfín
Costume Design:
Marie Wenigová
Costumer:
Drahomíra Tadrová
Eva Lackingerová
Creative Producer:
Miroslav Hladký
Director:
Vladimír Čech
Director of Photography:
Josef Pávek
Dramaturgy:
Josef Šilhavý
Editor:
Jan Chaloupek
First Assistant Director:
Věra Ticháčková
Makeup & Hair:
Ladislav Bacílek
Jarmila Sommerová
Eva Barnetová
Original Music Composer:
Luboš Fišer
Production Design:
Jaroslav Krška
Production Manager:
Jiří Pokorný
Screenplay:
Pavel Hajný
Set Decoration:
Jaroslav Chytrý
Rudolf Beneš
Josef Calta
Sound:
Josef Vlček
Still Photographer:
Josef Janoušek
Story:
Pavel Hajný
Unit Production Manager:
Vlasta Synkulová
Karel Škop
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.