A work in constant progress (and occasional regress).
Release Date:
November 7, 1993
Original Title:
Bonus Malus
Genres:
Comedy | Drama
Production Companies:
Cavadaliga Film
Istituto Luce-Italnoleggio Cinematografico
Surf Film
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 90
The life of a rootless insurance agent starts falling apart.
Assistant Camera:
Francesco Miccichè
Assistant Costume Designer:
Monia Carraretto
Assistant Director:
Bruno Mancinelli
Nunzio Liuzzo
Assistant Editor:
Edoardo Loliva
Assistant Production Design:
Alice Avella
Assistant Property Master:
Claudio Carli
Fabrizio Mariotti
Assistant Sound Engineer:
Fabio Santesarti
Boom Operator:
Mauro Lazzaro
Camera Car:
Arnaldo Catinari
Casting:
Valentina Conti
Colorist:
Barbara Guarrera
Costume Design:
Maria Giovanna Caselli
Delegated Producer:
Diana Conte
Director:
Vito Zagarrio
Director of Photography:
Renato Tafuri
Editor:
Cecilia Zanuso
Electrician:
Virgilio Palone
Fabio Capozzi
First Assistant Camera:
Maurizio Cremisini
First Assistant Editor:
Marco Spoletini
Gaffer:
Domenico Caiuli
Franco Caporale
General Manager:
Maurizio Mattei
Grip:
Sergio Grassi
In Memory Of:
Bruno Mancinelli
Key Grip:
Augusto Proietti
Makeup & Hair:
Sabrina Ranalli
Original Music Composer:
Antonio Di Pofi
Producer:
Vito Zagarrio
Production Assistant:
Esmeralda Da Ru
Emiliano Daniele
Production Design:
Paola Bizzarri
Production Secretary:
Alessandra Valletta
Alessia Mattei
Property Master:
Giorgio Colangeli
Screenplay:
Luigi Guarnieri
Francesco Bruni
Vito Zagarrio
Enzo Monteleone
Script Supervisor:
Melissa Strizzi
Giorgia Onofri
Anita Borgiotti
Sound:
Bruno Pupparo
Sound Editor:
Alessandra Perpignani
Sound Effects:
Roberto Arcangeli
Sound Mixer:
Adriano Torbidone
Still Photographer:
Pierfrancesco Bruni
Story:
Francesco Bruni
Stunts:
Bruno Di Luia
Unit Production Manager:
Andrea Mattei
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.