A work in constant progress (and occasional regress).
Release Date:
November 3, 1933
Original Title:
The Invisible Man
Alternate Titles:
A láthatatlan ember
De onzichtbare man
Den osynlige mannen
Den usynlige mand
Den usynlige mann
Der Unsichtbare
El hombre invisible
Görünmeyen adam
H.G. Wells' The Invisible Man
L'homme invisible
L'uomo invisibile
Nematomas žmogus
Neviditelný muz
Neviditelný muž
Nevidljivi čovek
Nevidljivi čovjek
Nevidni človek
Niewidzialny człowiek
Näkymätön mies
O Homem Invisível
O aoratos anthropos
The Invisible Man
Ο Αόρατος Ανθρωπος
Людина-невидимка
Невидимият
Невидљиви човек
Чeловек-невидимка
とうめいにんげん
透明人間(1933)
隱形人
투명 인간
투명인간
Genres:
Horror | Science Fiction
Production Companies:
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: NR BE: 12 DE: 16 FR: TP GB: PG HU: 16 IT: T US: NR
Runtime: 71
After experimenting on himself and becoming invisible, scientist Jack Griffin, now aggressive due to the drug's effects, seeks a way to reverse the experiment at any cost.
Art Direction:
Charles D. Hall
Assistant Camera:
Jack Eagan
Assistant Director:
Joseph A. McDonough
Camera Operator:
King D. Gray
Arthur Edeson
Conductor:
Heinz Roemheld
Director:
James Whale
Director of Photography:
Arthur Edeson
John J. Mescall
Editor:
Ted J. Kent
Editorial Manager:
Maurice Pivar
Makeup Artist:
Jack Pierce
Music:
W. Franke Harling
Music Supervisor:
Gilbert Kurland
Novel:
H.G. Wells
Orchestrator:
William Schiller
Original Music Composer:
Heinz Roemheld
Presenter:
Carl Laemmle
Producer:
Carl Laemmle Jr.
Props:
Wally Kirkpatrick
Screenplay:
R.C. Sherriff
Sound Recordist:
John Kemp
William Hedgcock
Sound Supervisor:
Gilbert Kurland
Special Effects:
John P. Fulton
Still Photographer:
Roman Freulich
Visual Effects:
Bill Heckler
Cleo E. Baker
Roswell A. Hoffmann
Visual Effects Camera:
John J. Mescall
Roswell A. Hoffmann
Visual Effects Supervisor:
Frank D. Williams
Writer:
Preston Sturges
Philip Wylie
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.