A work in constant progress (and occasional regress).
Release Date:
January 20, 2023
Original Title:
Gdzie diabeł nie może, tam baby pośle 2
Genres:
Comedy | Crime | History
Production Companies:
Global Studio
Heliograf
Kinostar
Production Countries:
Poland
Ratings / Certifications:
N/A
The true story of Polish fortunes and the story of the heroes from the first part has its colorful continuation. Can business friends continue to trust each other when even more money is at stake? How were state-owned companies privatized, garnering millions into private pockets? Who was pulling the strings in free Poland? Even more mysteries. Human weaknesses.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Costume Designer:
Kornelia Kubańska-Kur
Katarzyna Sałdak
Luiza Lechnia-Szamałek
Assistant Director:
Vanessa Iwanowski
Anastasiia Pazynych
Kamil Lewandowski
Gabriela Łukasz
Assistant Makeup Artist:
Adrianna Orych
Urszula Dobrogowska
Julia Hebel
Kamila Czyżewska
Natalia Zych
Anna Kieszczyńska
Lidia Buczek
Assistant Production Manager:
Karolina Grześkowiak
Assistant Property Master:
Maria Magdalena Jeziorowska
Best Boy Lighting Technician:
Tomasz Sadurek
Camera Operator:
Wojciech Węgrzyn
Andrzej Łukasz
Casting:
Heathcliff Janusz Iwanowski
Monika Figura
Jolanta Owczarczyk
Amelia Radecka
Catering:
Paulina Rak
Co-Producer:
Hanna Jadczak
Justyna Żmudzka
Coordinating Producer:
Magdalena Rychła
Costume Design:
Tomasz Jacyków
Creative Producer:
Heathcliff Janusz Iwanowski
Data Management Technician:
Mateusz Smereczyński
Jan Olszewski
Digital Intermediate:
Mateusz Budnik
Director:
Heathcliff Janusz Iwanowski
Director of Photography:
Wojciech Węgrzyn
Editor:
Bartosz Karczyński
Executive Producer:
Jolanta Owczarczyk
Focus Puller:
Tomasz Nowak
Grip:
Paweł Traut
Hubert Wąsiewski
Łukasz Łapiński
Hairdresser:
Przemysław Grejcz
Joanna Wzorek
Health and Safety:
Wojciech Konkol
Makeup Department Head:
Joanna Szołtysek
Master Lighting Artist:
Dariusz Zbytniewski
Military Consultant:
Stanisław Witkiewicz
Music:
Piotr Komorowski
Music Arranger:
Piotr Komorowski
Music Consultant:
Anna Malarowska
Music Producer:
Jolanta Owczarczyk
Musician:
Piotr Komorowski
Wiesław Wysocki
Michał Szturomski
Dorota Komorowska
Robert Dacko
Jan Harasimowicz
Łukasz Hodor
Orchestrator:
Piotr Komorowski
Producer:
Jolanta Owczarczyk
Heathcliff Janusz Iwanowski
Production Manager:
Jolanta Owczarczyk
Magdalena Rychła
Props:
Marcin Gloeh
Ignacy Muzyka
Public Relations:
Klara Czerkawska-Heil
Agnieszka Żukowska
Pyrotechnician:
Krzysztof Buczek
Script:
Zuzanna Wiśniewska
Script Consultant:
Krzysztof Tokarek
Set Designer:
Magdalena Łukasik
Małgorzata Knapik
Sound:
Mariusz Bielecki
Bartosz Putkiewicz
Natalia Sikorska
Sound Editor:
Bartosz Putkiewicz
Natalia Sikorska
Olga Zalewska
Marta Szczepańska
Katarzyna Kowalczyk
Steadicam Operator:
Andrzej Łukasz
Marek Zajączkowski
Adam Mendry
Still Photographer:
Dariusz Felis-Obrycki
Stunt Coordinator:
Tomasz Lewandowski
Stunts:
Tomasz Lewandowski
Sławomir Kurek
Jakub Kazikowski
Mirosław Pisarek
Paweł Jabłoński
VFX Editor:
Marek Lechowicz
VFX Supervisor:
Vladimir Tarasiuk
Tomasz Ginelli
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.