A work in constant progress (and occasional regress).
Release Date:
October 24, 1988
Original Title:
TV-Dad
Genres:
Drama | Romance | Science Fiction
Production Companies:
Behar - Sackner Communications
Ratings / Certifications:
N/A
Runtime: 30
TV-Dad has never had a family of his own, and when he finds out that he is going to die, he creates TV-Dad, a series of videotapes that contain his fatherly and husbandly advice in actions. Follow Judy when she purchases the TV-Dad video services and has a child with it as we watch how her life plays out.
Apprentice Sound Editor:
Shelley Latham
Assistant Camera:
Lukasz Jogalla
Assistant Costume Designer:
Chi-Chi Valenti
Assistant Director:
Sheila Szczepaniak
Best Boy Grip:
Jonathan Sackner
Boom Operator:
Audrey Jameson
Camera Operator:
Quentin Scobel
Carpenter:
Jeff Ford
Catering:
Joan Scarpino
Cinematography:
Hamid Shams
Continuity:
Audrey Bernstein
Creative Consultant:
N.M. Landaiche III
Director:
Andrew Behar
Editor:
J. Kathleen Gibson
Bob Gambino
Electrician:
Pat Crooks
Alan Hostetter
Ron Honsa
Gaffer:
Jim Denny
Makeup & Hair:
Jo-ann Dumm
Music:
Peter Fish
Music Arranger:
Steven Kahn
Negative Cutter:
Noƫlle Penraat
Playback Coordinator:
Quentin Scobel
Producer:
Sara Sackner
Production Assistant:
Jason Kessler
Caarin Fleischman
Farid Shams
Production Design:
Sara Sackner
Property Master:
Costa Pappas
Props:
Chi-Chi Valenti
Sound Editor:
Kenton Jakub
Sound Mixer:
Michael Barry
Sound Recordist:
Alexandra Baltarzuk
Albee Gordon
Title Designer:
Rick Debbie
Writer:
Scott Bryce
Andrew Behar
Annabelle Gurwitch
Sara Sackner
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.