A work in constant progress (and occasional regress).
Release Date:
May 14, 1984
Original Title:
Ernie Kovacs: Between the Laughter
Genres:
Drama | TV Movie
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 100
This is a splendid little sleeper of a movie. Ernie Kovacs was one of the giants of early television. I think he would be pleased with the way Jeff Goldbloom captures his wonky personality. Melody Anderson also distills that of Edie Adams. There is a very basic heart tugging story about the search for Kovacs' two abducted daughters. But at the same time the film is funny --- Cloris Leachman is a hoot as Kovacs impossible mom --- and has many of the offbeat and innovative qualities of the old Kovacs show itself.
Assistant Editor:
Lisa Morlas
Janet Bartels-Vandagriff
Camera Operator:
Elliot Davis
Casting:
David Rubin
Costume Supervisor:
John S. Perry
Llandys Williams
Bill Flores
Craft Service:
Mark C. Grech
Director:
Lamont Johnson
Director of Photography:
Rexford L. Metz
Driver:
Chris Haynes
Editor:
Scott Conrad
First Assistant Camera:
Louis Niemeyer
Gábor Kövér
First Assistant Director:
Peter Bogart
Hair Designer:
Janis Clark
Makeup Artist:
Wes Dawn
Music:
Ralph Burns
Music Editor:
Allan K. Rosen
Post Production Supervisor:
David McCann
Producer:
David Levinson
Production Design:
Jack De Shields
Production Manager:
Burt Bluestein
Production Sound Mixer:
Jacques Nosco
Property Master:
Rick Young
Script Supervisor:
Adell Aldrich
Second Assistant Director:
Lewis Gould
Richard Graves
Set Designer:
Chris Horner
Sound Editor:
Christopher T. Welch
Story:
Edie Adams
Technical Advisor:
Edie Adams
Title Designer:
Penelope Gottlieb
Transportation Coordinator:
Joe Berman
Writer:
April Smith
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.