A work in constant progress (and occasional regress).
Release Date:
November 12, 2022
Original Title:
To Hell and Back
Genres:
Horror
Production Companies:
Bloody Disgusting
Cinepocalypse
Radio Silence
Studio71
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 17
Two filmmakers asked to document a summoning ritual on the eve of Y2K are accidentally transported to a hellish dimension, where a tormented soul guides them in escaping its demonic inhabitants.
Art Direction:
Danny Greenhalgh
Assistant Director:
Ilyssa Peltz
Associate Producer:
Tom Owen
Zak Zeman
Camera Operator:
Joseph Winter
Co-Executive Producer:
Christopher Alender
Andrew Williams
Costume Designer:
Anna Hayes
Digital Imaging Technician:
Patrick Hayes
Director:
Joseph Winter
Vanessa Winter
Director of Photography:
Jared Cook
Editor:
Joseph Winter
Vanessa Winter
First Assistant Camera:
Lucas Barros
James McAllister
First Assistant Director:
Kelty Heppler
David Thorpe
Annie Eskander
Gaffer:
Jared Cook
Key Makeup Artist:
Samantha Lambson
Line Producer:
Gabi Cuascut
Makeup Department Head:
Mikaela Kester
Music:
Joseph Winter
Post Production Supervisor:
Sean Mark Lamb Lewis
Producer:
Jared Cook
Vanessa Winter
Joseph Winter
Production Assistant:
Liam Shahaf
Sofia Willis
Production Coordinator:
Cynthia Greening
Cort Maclean
Production Design:
Meg Cabell
Production Supervisor:
Robena Teneralli
Script Supervisor:
Annie Eskander
Second Assistant Director:
Kelsey Vachon
Set Dresser:
Sierra Saez
Sound Mixer:
Sara Runyan
Special Effects Makeup Artist:
Mikaela Kester
Supervising Editor:
Thom Newell
Unit Production Manager:
Jared Cook
VFX Artist:
Justin Martinez
VFX Supervisor:
Justin Martinez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.