A work in constant progress (and occasional regress).
Release Date:
August 11, 1976
Original Title:
L'eredità Ferramonti
Alternate Titles:
L'Héritage
La herencia Ferramonti
Genres:
Drama
Production Companies:
Flag Production
Production Countries:
Italy
Ratings / Certifications:
FR: TP
Runtime: 115
Rome, 1880. Gregorio Ferramonti (Anthony Quinn) has decided to close his bakery, the family business. Then he tells his sons Pippo (Gigi Proietti), Mario (Fabio Testi) and Teta that they will have to fend for themselves. But Irene (Dominique Sanda), the wife of Pippo, a beautiful, calculating and ambitious young woman, wants to take over the inheritance. Acting on intelligence, weighing every step and its consequences, she manages to convince the brothers that they must prevent at all costs that his father falls in love again to avoid the risk of losing their inheritance.
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Assistant Camera:
Renato Ranieri
Aldo Marchiori
Assistant Costume Designer:
Onelio Millenotti
Barbara Mastroianni
Assistant Editor:
Elvira Tonini
Assistant Production Design:
Paolo Biagetti
Boom Operator:
Tullio Petricca
Camera Operator:
Maurizio Scanzani
Conductor:
Franco Tamponi
Costume Design:
Gabriella Pescucci
Director:
Mauro Bolognini
Director of Photography:
Ennio Guarnieri
Editor:
Nino Baragli
First Assistant Director:
Dino Squizzato
Gianfranco Giagni
Foley Artist:
Massimo Anzellotti
Gaffer:
Amilcare Cuccoli
Hairstylist:
Luciano Vito
Agnese Panarotto
Key Grip:
Ennio Picconi
Line Producer:
Alfredo Mirabile
Makeup Artist:
Giuseppe Capogrosso
Massimo De Rossi
Novel:
Gaetano Carlo Chelli
Original Music Composer:
Ennio Morricone
Producer:
Gianni Hecht Lucari
Production Design:
Luigi Scaccianoce
Screenplay:
Sergio Bazzini
Ugo Pirro
Script Consultant:
Roberto Bigazzi
Script Supervisor:
Bianca De Santis
Set Decoration:
Bruno Cesari
Sound:
Massimo Loffredi
Sound Mixer:
Romano Checcacci
Still Photographer:
Mimmo Cattarinich
Unit Manager:
Giovanni Bernardi
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.