A work in constant progress (and occasional regress).
Release Date:
December 16, 2022
Original Title:
Desconectados
Alternate Titles:
Disconnected
Genres:
Comedy
Production Companies:
Picardia Films
Production Countries:
Chile
Ratings / Certifications:
FR: 16 RO: 18
Runtime: 106
Victoria, a mother addicted to the internet and work, is completely disconnected from her two teenage children, Clara and Julián. Just when he is about to receive that long-awaited promotion, a solar storm leaves the entire world without internet, indefinitely. With her ex-husband stranded in another country, she is faced with the reality that she has to be a mother without the help of apps or the internet.
"B" Camera Operator:
Víctor Rojas
ADR Coordinator:
Alejandro Medrano
ADR Recordist:
Karen Cruces
Art Direction:
Sebastián Muñoz
Assistant Camera:
Alejandra Torres
Assistant Editor:
Victor Verdugo
Oliver Mejias
Assistant Makeup Artist:
María Alejandra Rivas
Catalina Peralta
Gabriela Arevalos
Assistant Set Decoration:
Nicolás Oyarce
Antonia Mujica
Claudia Gallardo
Assistant Set Designer:
Jean Pierre Castro
Casting:
Eduardo Paxeco
Chief Lighting Technician:
Patricio Yañez
Clearances Coordinator:
Felipe Olivares
Vicente Valdivieso
Color Timer:
Ismael Cabrera
Construction Manager:
Leonardo Gotschlich
Data Wrangler:
German Lacamara
Dialogue Editor:
Karen Cruces
Digital Imaging Technician:
Pablo Valenzuela
Director:
Diego Rougier
Director of Photography:
David Bravo
Drone Operator:
Ariel Marinkovic
Drone Pilot:
Mitchel Santibañez
Editor:
Camilo Campi
Electrician:
Isaac Leiva
Emiliano Leiva
Alejandro Ortega
Executive Producer:
Javiera Contador
Diego Rougier
Extras Casting:
Ángelica Díaz
Claudia Parra
Claudia Guzman
First Assistant Director:
Daniel Santa Ana
Focus Puller:
Liss Fernandez
Foley Artist:
Ivo Moraga
Foley Editor:
Soledad Vargas
Foley Recordist:
Soledad Vargas
Foley Supervisor:
Ivo Moraga
Gaffer:
Willie Leiva
Graphic Designer:
Francisca Palomino
Claudia Puchi
Grip:
Manfred Manzel
José Mardones
Cristián Olave
Hairdresser:
Valeria Goffreri
Miguel González
Line Producer:
Enrique Lerman
Location Coordinator:
Rodrigo Drago
Location Manager:
Camilo Iñiguez
Makeup Artist:
Macarena Matte
Music Coordinator:
Pablo Ilabaca
Music Producer:
Matias Astudillo
Claudio Becerra
Pablo Ilabaca
Camilo Salinas
Music Supervisor:
Silvina Gallardo
Inés Olivero
On Set Props:
Francisca Lagarrigue
Ignacio García
Original Music Composer:
Camilo Salinas
Pablo Ilabaca
Other:
Lenin Campos
Diego González
Felipe Toro
Dante Godoy
Javier Astudillo
Production Coordinator:
Fernando Silva
Production Design:
Juan Pablo Caceres
Production Manager:
Deysy Contreras
Property Master:
Barbara Jeraldo
Props:
David Gallegos
Rodrigo Segura
Seamstress:
Gladys Vasquez
Second Assistant Director:
Carlos Vásquez Contreras
Set Decoration:
Tatiana Chavarría
Set Designer:
Adrián Castro
Sound:
Carlo Sánchez Farías
Sound Designer:
Miguel Hormazábal
Sound Mixer:
Mauricio López
Sound Re-Recording Mixer:
Mauricio López
Sound Recordist:
Fernando Marín
Amanda Calvante
Marco Aliaga
Christopher Yañez
Sound Supervisor:
Miguel Hormazábal
Still Photographer:
Sebastián Utreras
Storyboard:
Carlos Sepulveda
Techno Crane Operator:
Roberto Gaete
Samuel Nuñez
Third Assistant Director:
Bárbara Montaña
VFX Editor:
Antonio Saez
VFX Supervisor:
Juan Cristóbal Hurtado
Video Assist Operator:
Carlos Díaz
Visual Effects Compositor:
Juan Olivares
Visual Effects Coordinator:
Constanza Brito
Visual Effects Supervisor:
Juan Olivares
Wardrobe Assistant:
Nicole Iturra
Antonia Cardenas
Wardrobe Master:
Valentina Maldonado
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.