A work in constant progress (and occasional regress).
Release Date:
February 25, 2023
Original Title:
Au cimetière de la pellicule
Genres:
Documentary
Production Companies:
Auvergne-Rhône-Alpes Cinéma
JPL Productions
L'Image d'aprés
Lagune Productions
Le grenier des Ombres
Lyon Capitale TV
Red Sea Fund
Production Countries:
France | Guinea | Saudi Arabia | Senegal
Ratings / Certifications:
FR: TP KR: All
Runtime: 96
Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.
Assistant Director:
Didier Demantons
Director:
Thierno Souleymane Diallo
Director of Photography:
Leïla Chaïbi
Thierno Souleymane Diallo
Editor:
Aurélie Jourdan
Marianne Haroche
Music:
Dom Peter
Producer:
Maud Martin
Jean-Pierre Lagrange
Marie-Louise Sarr
Alpha Amadou Diouldé Diallo
Sound:
Ophélie Boully
Jean-Marie Salque
Sound Designer:
Brice Kartmann
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.