The Ghost and the Darkness (1996) [R]

Release Date:
October 11, 1996

Original Title:
The Ghost and the Darkness

Alternate Titles:
Duch i Mrok
Привид та Пітьма
Привид і Темрява
暗夜獵殺
黑夜幽靈

Genres:
Action | Adventure | History | Horror | Thriller

Production Companies:
Bernina Film
Constellation Films
Douglas/Reuther Productions
Mont Blanc Entertainment GmbH
Paramount Pictures

Production Countries:
Germany | United States of America

Ratings / Certifications:
AU: M  BR: 14  CZ: 12+  DE: 12  FR: U  GR: 15  HU: 16  US: R 

Runtime: 109

Prey For The Hunters

Sir Robert Beaumont is behind schedule on a railroad in Africa. Enlisting noted engineer John Henry Patterson to right the ship, Beaumont expects results. Everything seems great until the crew discovers the mutilated corpse of the project's foreman, seemingly killed by a lion. After several more attacks, Patterson calls in famed hunter Charles Remington, who has finally met his match in the bloodthirsty lions.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"A" Camera Operator:
Neal Norton

"B" Camera Operator:
Joseph D. Urbanczyk

ADR Editor:
Joe Dorn

ADR Mixer:
Thomas J. O'Connell

ADR Recordist:
Rick Canelli

ADR Voice Casting:
Barbara Harris

Art Direction:
Giles Masters
Malcolm Stone

Assistant Costume Designer:
Michael Dennison

Assistant Sound Editor:
Jeff Cranford
Paul Aulicino
Dana LeBlanc Frankley

Associate Editor:
Sean Hubbert

Boom Operator:
Tommy Staples

Casting:
Mary Selway
Sarah Trevis

Co-Producer:
Grant Hill

Color Timer:
Bob Kaiser

Construction Coordinator:
Rodney Armanino

Construction Foreman:
Alan Allinger

Costume Design:
Ellen Mirojnick

Dialogue Editor:
John Leveque
Kimberly Lowe Voigt
Marshall Winn
Mildred Iatrou

Director:
Stephen Hopkins

Director of Photography:
Vilmos Zsigmond

Dolby Consultant:
Thom 'Coach' Ehle

Dolly Grip:
Guy Micheletti

Editor:
Roger Bondelli
Robert Brown
Steve Mirkovich

Executive Producer:
Steven Reuther
Michael Douglas

First Assistant "A" Camera:
Dennis Seawright

First Assistant "B" Camera:
Carlos De Carvalho

First Assistant Director:
José Luis Escolar

First Company Grip:
Mike Miller

Foley Artist:
John Roesch
Hilda Hodges

Foley Editor:
Shawn Sykora
Bob Beher
Mark Pappas

Foley Mixer:
Mary Jo Lang

Foley Recordist:
Carolyn Tapp

Foley Supervisor:
Michael Dressel

Hairstylist:
Vera Mitchell

Key Costumer:
Leigh Bishop

Key Hair Stylist:
Suzanne Stokes-Munton

Key Makeup Artist:
Paul Engelen

Location Manager:
Kevin De La Noy

Makeup Artist:
Tom Lucas
Meg Speirs

Music Editor:
Sally Boldt

Negative Cutter:
Mo Henry

Novel:
John Henry Patterson

Original Music Composer:
Jerry Goldsmith

Producer:
A. Kitman Ho
Gale Anne Hurd
Paul B. Radin

Production Accountant:
Marge Rowland

Production Design:
Stuart Wurtzel

Production Supervisor:
Michael L. Games

Property Master:
Philip McDonald

Screenplay:
William Goldman

Script Supervisor:
Nikki Clapp

Second Assistant "A" Camera:
Lars Cox

Second Assistant Director:
David H. Venghaus Jr.
Patrick Kinney
Matt Rebenkoff
Jamie Christopher

Second Second Assistant Director:
Javier Chinchilla

Second Unit Director:
Josh McLaglen

Second Unit Director of Photography:
Gabriel Beristain

Set Decoration:
Hilton Rosemarin

Sound Effects Editor:
Lance Brown
Glenn Hoskinson
Steve Mann
Steve Nelson
Kim Secrist
Donald L. Warner Jr.
Richard E. Yawn
Gary Mundheim
Gordon Ecker

Sound Mixer:
Simon Kaye

Sound Re-Recording Mixer:
Donald O. Mitchell
Rick Hart
Frank A. Montaño

Special Effects Supervisor:
Chris Corbould

Still Photographer:
Frank Connor

Stunt Coordinator:
Danny Baldwin

Supervising ADR Editor:
Becky Sullivan

Supervising Art Director:
George Richardson
Steve Saklad

Supervising Music Editor:
Kenneth Hall

Supervising Sound Editor:
Bruce Stambler

Unit Production Manager:
Grant Hill

Unit Publicist:
Stuart Fink

Visual Effects Coordinator:
Ryan Berg

Visual Effects Supervisor:
Stuart Robertson
Tim McGovern

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.