A work in constant progress (and occasional regress).
Release Date:
December 5, 2022
Original Title:
Deflated Dreams
Genres:
Animation | Comedy
Production Companies:
VCA School of Film and Television
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 5
In a used-car yard lives Tony, a wacky, waving inflatable-tube man, who dreams of being more than just an advertising gimmick. Spending his days flapping in the wind and peeking in the office window, Tony is mesmerised by a commercial for an all-new, shiny red convertible. Whisked away by his imagination, he dreams of a world beyond his own and a life behind the wheel. As time moves on, Tony becomes as tired and worn as the used-car yard. But when the car he’s longed for finally arrives in the dealership, Tony is forced to break his limits to protect his dream from a group of thieves.
Animation:
Hyelee Cho
Kent Aldemir
Leon Tran
Luca Brisbane
Matilda Berger
Moira McMahon
Natalie Saunders
Quinn Franks
Ruby Ricci
Sasha Gorman
Carmel Gorfine
Declan Crowley
Emily Peck
Maxwell Clerk
Patrick Misfud
Polly Huang
Co-Director:
Sasha Gorman
Co-Producer:
George Samios
Color Grading:
Adam Sutardy
Conductor:
Richard Davis
Director:
Hyelee Cho
Foley:
Misha Doumnov
Graphic Designer:
Angela Huang
Music Arranger:
Morgan Hickinbotham
Gabriel Herrera
Music Director:
Jessica Leigh
Musician:
Nick Miceli
Sara Barbagallo
Lachlan MacLaren
Lachlan Frances Harris
Che Ioannou-Booth
Simon Song
Katrina Wang
Sarah Wang
Original Music Composer:
Morgan Hickinbotham
Post Production Supervisor:
Grayton Hevern
Producer:
James Riddell-Clark
Production Coordinator:
CJ Welsh
Production Manager:
Matilda Berger
Screenplay:
Matilda Berger
Sound Designer:
Matilda Berger
Sound Engineer:
Haig Burnell
Sound Mixer:
Lincoln Sharpe
Supervising Producer:
Christie Widiarto
Bonnie Van Den Ven
Pauric Freeman
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.