A work in constant progress (and occasional regress).
Release Date:
May 31, 1979
Original Title:
Yotzim Kavua
Alternate Titles:
Eis am Stiel 2 - Feste Freundin
Eis am Stiel, 2. Teil - Feste Freundin
En continuo movimiento
Forró rágógumi 2. - Veled akarok járni
Greasy Kid Stuff
La boum américaine
Lemon Popsicle 2
Lemon Popsicle 2: Going Steady
Lody na patyku 2 - Prawdziwi przyjaciele
Polo de limón 2
Polo de limón 2 - En continuo movimiento
Porky's Academy
グローイング・アップ2/ゴーイング・ステディ
그로잉 업 2
Genres:
Comedy | Romance
Production Companies:
Golan-Globus Productions
Noah Films
Production Countries:
Germany | Israel
Ratings / Certifications:
DE: 16
Runtime: 87
It's the greasy 50's, and girls are still causing problems for the Lemon Popsicle boys! Benji falls head over heels in love with new girl Tammy but manages to ruin the relationship by pushing her to go all the way. Benji is the object of Martha's affections, even though she is dating Huey, and as usual Bobby is finding it hard to stay faithful to just one girl! Going Stead is set against a backdrop of sunlit beaches, moonlit nights... and Rock 'n' Roll!
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Assistant Editor:
Dick Bernstein
Efraim Reuveni
Rachel Yagil
Assistant Property Master:
Lemora Soloman
Boom Operator:
Chaim Gilad
Choreographer:
Juki Arkin
Director:
Boaz Davidson
Director of Photography:
Adam Greenberg
Editor:
Alain Jakubowicz
Electrician:
Avi Avrahami
Chaim Fletcher
Moshe Alon
Executive Producer:
Sam Waynberg
First Assistant Camera:
Joseph Zicherman
First Assistant Director:
Ronni Ackerman
Gaffer:
Avraham Leibman
Post Production Coordinator:
Karen Hoenig
Producer:
Yoram Globus
Menahem Golan
Production Manager:
Micha Shafstein
Property Master:
Aria Elah
Screenplay:
Boaz Davidson
Eli Tavor
Script Supervisor:
Jeannette Naeh
Second Assistant Director:
Moshe Slama
Set Designer:
Alfred Gershoni
Sound Mixer:
Cyril Collick
Wardrobe Supervisor:
Naomi Golan
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.